VIEW IN MY ROOM
Germany
Collage, Digital on Digital
Size: 11.8 W x 11.8 H x 0 D in
Ships in a Box
Shipping included
This piece, inclusive of its title, embraces a foundation of self-irony. The nature of digital collaging, with its capacity for repeated use of elements and the influence of personal preferences, sets the stage for a potential trap of repetition. This is accentuated by the deployment of the same model in varying, and sometimes conflicting, poses and gestures, alongside the recurring presence of the familiar mask. Contradictions further characterize the foreground character. Despite the dominant and controlling stance conveyed by her pose and body language, the puppet-like form introduces a sense of uncertainty—raising questions about whether the decisions are truly her own or predetermined for her.
Collage:Digital on Digital
Artist Produced Limited Edition of:50
Size:11.8 W x 11.8 H x 0 D in
Frame:Black
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Germany.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Germany
The quote by the Roman philosopher Phaedrus hasn’t lost its validity since the first century CE: “Things are not always what they seem; the first appearance deceives many”. Creating digital compositions in which all of the parts blend seamlessly together, while emanating the textures of ripped paper and ink marks commonly found in analog collage, is my primary goal throughout the artistic process. I want to make the viewer question what medium they are really looking at: digital collage, analog collage, or even photography? By intentionally obscuring the process behind my work, I seek to challenge the common opinion of what is considered ‘art’, and more specifically, what is considered ‘collage’. This sense of confusion surrounding my process also intentionally mirrors the feelings of confusion which I frequently address in the subject matter.
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