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In this work I have used poor materials such as leather, hair dog, broken stained fabric and pieces of polished aluminium with traces of drawings. My work refers a metaphor for poverty trying the concept of totality of the city covered by a strange being, light as the only God among humanity. Original ready to hang. Signed to the front with traditional frame.
In this work I have used poor materials such as leather, hair dog, broken stained fabric and pieces of polished aluminium with traces of drawings. My work refers a metaphor for poverty trying the concept of totality of the city covered by a strange being, light as the only God among humanity. Original ready to hang. Signed to the front with traditional frame.
In this work I have used poor materials such as leather, hair dog, broken stained fabric and pieces of polished aluminium with traces of drawings. My work refers a metaphor for poverty trying the concept of totality of the city covered by a strange being, light as the only God among humanity. Original ready to hang. Signed to the front with traditional frame.
In this work I have used poor materials such as leather, hair dog, broken stained fabric and pieces of polished aluminium with traces of drawings. My work refers a metaphor for poverty trying the concept of totality of the city covered by a strange being, light as the only God among humanity. Original ready to hang. Signed to the front with traditional frame.
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Dawn in the city of God Collage

William Rafael Marquina Buitrago

Ecuador

Collage, Metal on Aluminium

Size: 20.5 W x 17.3 H x 1.2 D in

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$310

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About The Artwork

In this work I have used poor materials such as leather, hair dog, broken stained fabric and pieces of polished aluminium with traces of drawings. My work refers a metaphor for poverty trying the concept of totality of the city covered by a strange being, light as the only God among humanity. Original ready to hang. Signed to the front with traditional frame.

Details & Dimensions

Collage:Metal on Aluminium

Original:One-of-a-kind Artwork

Size:20.5 W x 17.3 H x 1.2 D in

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William Marquina was born in Mérida, Venezuela. Attracted by the works of great masters such as Picasso and Leonardo, at the age of 11 he participated in an outdoor Sunday painting workshop. After graduating in visual arts from the Universidad de Los Andes, he studied a master's degree in philosophy, followed by an unfinished doctorate, and was a short-term visual arts professor at the same university. From now on, William will pursue his passion for art by experimenting with different themes, techniques, styles and media. Disappointed by the unstable situation in his country, he emigrated to the city of Quito in 2019 where he currently lives and produces his works in the Oskan-huera painting studio, cloistered during the pandemic of 2020 and 2021, he will insist on his series Perceptions William's production has been experimentally versatile and challenges us with series characterized by the desire to search, study and complement the archaic and contemporary. His series are notable: Brillo, Picasso Copy, Matisse Copy, Da Vinci Copy and Aperceptions. In the latter, he highlights us in painting, the subjective complexity in the world of perceptions. In 2023 he exhibited his individual retrospective "Imbrications in painting" in the city of Quito; the International Painting exhibition at Casal Català Quito, 2021 and "Exhibition of Ecuadorian Painting" at the Mayor's Office of Quito, 2019. Other important individuals were: "Cartographies of the Terrestrial and Transterranean", Merida 2012; "Care. Path and Limit", 2007 and "Essences", 2007. Awarded the First Prize of Arts for University Students, in 2001.

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