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The girl from the south Artwork

Jan Keteleer

Belgium

Digital, Acrylic on Wood

Size: 18.1 W x 18.1 H x 0.4 D in

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$610

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About The Artwork

Behold the dreamy and introspective beauty of Jan Keteleer's latest work, The Girl From the South. This enchanting 40 x 40 cm acrylic and ink painting invites viewers into the inner sanctum of a woman lost in quiet contemplation, secured away within her own vivid thoughts and imagination. Rendered in Keteleer's signature hybrid style that masterfully blends figurative and impressionistic influences, the color palette is understated yet impactful. Soft, muted hues punctuated by bolder blues and oranges reflect the sense of being pleasantly lost in one's own mind. The depth in her eyes hints at the rich inner life she nurtures. As with all of Keteleer's works in the Dreamy Women series, The Girl From the South seems to capture that magical, elusive moment when someone transitions into a private waking dream. Mounted in a minimalist 46 x 46 cm black wooden frame that doesn't distract from the portrait itself, this painting would make a captivating addition to any art lover's collection.

Details & Dimensions

Digital:Acrylic on Wood

Original:One-of-a-kind Artwork

Size:18.1 W x 18.1 H x 0.4 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

From his interests in both classical art and modern / contemporary art, Belgian artist Jan Keteleer (JanKé) works with different styles. Ancient art is one of his interests, but you can also find examples of his work in pop art and impressionism. If you browse through Jan Keteleer's portfolio, you will find beautiful nature scenes, pictures of animals or pop art-based nudes. After years working in commercial photography, he turned his interest to artistic black and white photography. Projects such as Speecless, Silent Dialogues and Roots with Taboo brought him fame. He was inspired by the problems of the multicultural society in Belgium, the coexistence of different national and ethnic groups, the issue of the language barrier and the lack of dialogue between the "old" (the native population) and the "new" Belgians (the immigrants). JanKé attaches great importance to the social significance of his works and integrates them into the context of public space (stations, airports and public transport), prompting the viewer to react and reflect. His projects have received the support of the organization Sprakeloos, which aims to use art to provoke discussion on social issues. He had numerous exhibitions in Belgium (in Antwerp, Bruges, Lier, Leuven and Ghent), in the U.S. (in Dallas and San Francisco) and in Poland (in Krakow).

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