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Face 2 Face — That Peaceful Face Drawing

Amit Deshpande

India

Drawing, Marker on Paper

Size: 11 W x 13.5 H x 0.1 D in

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This artwork is not for sale.
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About The Artwork

This was when I was listening to some jazz music and had just read more of some Zen koans, and I was thinking about how peaceful this moment is, where there's no memory of the past and no worry of the next, and this moment is all that matters. I was reminded of the ocean and the mist when the waves crash ashore, timeless and forever. It was to capture this moment, this feeling, while the winds blow through my hair, and caress my face, and I lose form and become nature. I hope this brings some calm, peace and the sense of being limitless in that special place in your home or work. The style is free, contemporary, yet classic. The strokes look very organic and as free as nature, and the result is what fluid uninhibited intuition has produced.

Details & Dimensions

Drawing:Marker on Paper

Original:One-of-a-kind Artwork

Size:11 W x 13.5 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Often drawing from his curiosity about the workings of the mind and the human psyche, Amit finds intrigue in the changing face of society and humankind at large. His interest in Zen and its teachings allow him to capture intense transient forces of nature and humans. Also a unique appreciation of the human form and what effect mind has on matter allow him to explore ideas at the juncture of matter and consciousness. His diverse cultural background has had a positive influence on his unique, bold style as an artist. Amit's current work explores the emotive ephemerality of humans and society.⁣ ⁣_____________________________________ Amit captures subtle dichotomy in his acrylic paintings based on the concept of Tao or Metempsychosis. They are largely monochromatic with a limited palette and leaning towards contemporary sensibilities.⁣ ⁣⁣_____________________________________ His other series leans towards abstraction with forms from an inorganic and structured future intersecting with the organic dimensional constructs.

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