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This pencil and opaque white drawing hasn't been succeeded by a panel-work so far and by this at this very place stands up for itself. 

The work is lively by a expressive motor use of graphite, complemented by a rough use of opaque white Tempera, working against cold-wet weather, dove-attacks and – falling down slippery harbor-stairs.

As always the work is about reaching beyond the certainties of the here and now. By this, I couldn't finish a simple study of a small port without leading the composition to celestial regions. 

I send the work with a passe-partout and a light frame from my exhibition stock. By quality, consider the frame as a packing item with the secondary advantage of a first hanging.
This pencil and opaque white drawing hasn't been succeeded by a panel-work so far and by this at this very place stands up for itself. 

The work is lively by a expressive motor use of graphite, complemented by a rough use of opaque white Tempera, working against cold-wet weather, dove-attacks and – falling down slippery harbor-stairs.

As always the work is about reaching beyond the certainties of the here and now. By this, I couldn't finish a simple study of a small port without leading the composition to celestial regions. 

I send the work with a passe-partout and a light frame from my exhibition stock. By quality, consider the frame as a packing item with the secondary advantage of a first hanging.
This pencil and opaque white drawing hasn't been succeeded by a panel-work so far and by this at this very place stands up for itself. 

The work is lively by a expressive motor use of graphite, complemented by a rough use of opaque white Tempera, working against cold-wet weather, dove-attacks and – falling down slippery harbor-stairs.

As always the work is about reaching beyond the certainties of the here and now. By this, I couldn't finish a simple study of a small port without leading the composition to celestial regions. 

I send the work with a passe-partout and a light frame from my exhibition stock. By quality, consider the frame as a packing item with the secondary advantage of a first hanging.
The work in different light.
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Haven to Heaven Drawing

Christian Kabuß

Germany

Drawing, Pencil on Paper

Size: 8.3 W x 11.7 H x 0 D in

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$250

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968 Views
30

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About The Artwork

This pencil and opaque white drawing hasn't been succeeded by a panel-work so far and by this at this very place stands up for itself.

The work is lively by a expressive motor use of graphite, complemented by a rough use of opaque white Tempera, working against cold-wet weather, dove-attacks and – falling down slippery harbor-stairs.

As always the work is about reaching beyond the certainties of the here and now. By this, I couldn't finish a simple study of a small port without leading the composition to celestial regions.

Details & Dimensions

Drawing:Pencil on Paper

Original:One-of-a-kind Artwork

Size:8.3 W x 11.7 H x 0 D in

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Christian Kabuß is an internationally established German artist and musician. He studied Medicine at the University of Rostock, then went on to Kunsthochschule Berlin-Weißensee, Accademia di Belle Arti di Venezia and Moholy-Nagy University of Arts and Design Budapest to practice Fine Art. The artistic language within his paintings is deeply linked to a phenomenological approach to bodiliness, the freedom of subconscious artistic creation, and the theoretical and practical considerations of Design. Kabuß has exhibited in Germany and abroad. His works are present in regional, national and international collections. It is his aim to work as honest as possible, and he tends towards imagery, which is embedded in Lebenswelt, and sound. As a pianist, he performs small intimate concerts. His music is soft, sometimes freely improvised and portrays a sense of a parallel-world. Exhibitions in Italy, Sweden, Germany, China, and Japan.

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