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On a wooden table I wanted to create a fake marble, and the image of a man who tries to get out of the matter and says to be silent, especially in this historical period where the planet should speak less and do more. The material used is lime with a spatula, while the image was made in ink by transfer, setting it between the processes. Everything was polished with a hot iron and a protective coat as the final coat. To the touch it seems to touch a marble without any overlap. At first glance, observing the work is not a clear image, however, by carefully lingering and concentrating, you understand the image that I want to represent, creating an explosive emotion in me, with the aim that it is also for those who observe it. As long as I am inspired, the image will always be the same, while the colors will change every time, to make my paintings unique and unrepeatable. “It is in the scenographic sense of abstract art that the true artistic quality is revealed in the images of dreamlike creativity and in the enchanted appearance of the human figure, where the vision is stimulated by an indefinite and aerial chromatism in the informal plots to open up to the imaginary of the collective unconscious with a singular expressive symbolism, while lyrical distances and magical secret reflections reveal an unexpected and idealistic spatiality for a new line of art. “ Dr. Carla d’Acquino Mineo, art critic
On a wooden table I wanted to create a fake marble, and the image of a man who tries to get out of the matter and says to be silent, especially in this historical period where the planet should speak less and do more. The material used is lime with a spatula, while the image was made in ink by transfer, setting it between the processes. Everything was polished with a hot iron and a protective coat as the final coat. To the touch it seems to touch a marble without any overlap. At first glance, observing the work is not a clear image, however, by carefully lingering and concentrating, you understand the image that I want to represent, creating an explosive emotion in me, with the aim that it is also for those who observe it. As long as I am inspired, the image will always be the same, while the colors will change every time, to make my paintings unique and unrepeatable. “It is in the scenographic sense of abstract art that the true artistic quality is revealed in the images of dreamlike creativity and in the enchanted appearance of the human figure, where the vision is stimulated by an indefinite and aerial chromatism in the informal plots to open up to the imaginary of the collective unconscious with a singular expressive symbolism, while lyrical distances and magical secret reflections reveal an unexpected and idealistic spatiality for a new line of art. “ Dr. Carla d’Acquino Mineo, art critic
On a wooden table I wanted to create a fake marble, and the image of a man who tries to get out of the matter and says to be silent, especially in this historical period where the planet should speak less and do more. The material used is lime with a spatula, while the image was made in ink by transfer, setting it between the processes. Everything was polished with a hot iron and a protective coat as the final coat. To the touch it seems to touch a marble without any overlap. At first glance, observing the work is not a clear image, however, by carefully lingering and concentrating, you understand the image that I want to represent, creating an explosive emotion in me, with the aim that it is also for those who observe it. As long as I am inspired, the image will always be the same, while the colors will change every time, to make my paintings unique and unrepeatable. “It is in the scenographic sense of abstract art that the true artistic quality is revealed in the images of dreamlike creativity and in the enchanted appearance of the human figure, where the vision is stimulated by an indefinite and aerial chromatism in the informal plots to open up to the imaginary of the collective unconscious with a singular expressive symbolism, while lyrical distances and magical secret reflections reveal an unexpected and idealistic spatiality for a new line of art. “ Dr. Carla d’Acquino Mineo, art critic
On a wooden table I wanted to create a fake marble, and the image of a man who tries to get out of the matter and says to be silent, especially in this historical period where the planet should speak less and do more. The material used is lime with a spatula, while the image was made in ink by transfer, setting it between the processes. Everything was polished with a hot iron and a protective coat as the final coat. To the touch it seems to touch a marble without any overlap. At first glance, observing the work is not a clear image, however, by carefully lingering and concentrating, you understand the image that I want to represent, creating an explosive emotion in me, with the aim that it is also for those who observe it. As long as I am inspired, the image will always be the same, while the colors will change every time, to make my paintings unique and unrepeatable. “It is in the scenographic sense of abstract art that the true artistic quality is revealed in the images of dreamlike creativity and in the enchanted appearance of the human figure, where the vision is stimulated by an indefinite and aerial chromatism in the informal plots to open up to the imaginary of the collective unconscious with a singular expressive symbolism, while lyrical distances and magical secret reflections reveal an unexpected and idealistic spatiality for a new line of art. “ Dr. Carla d’Acquino Mineo, art critic
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IL SILENZIO 18(Omaggio a Matteo Pugliese) Drawing

marco bagatin

Italy

Drawing, Chalk on Wood

Size: 19.7 W x 19.7 H x 0.8 D in

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Originally listed for $3,770
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About The Artwork

On a wooden table I wanted to create a fake marble, and the image of a man who tries to get out of the matter and says to be silent, especially in this historical period where the planet should speak less and do more. The material used is lime with a spatula, while the image was made in ink by transfer, setting it between the processes. Everything was polished with a hot iron and a protective coat as the final coat. To the touch it seems to touch a marble without any overlap. At first glance, observing the work is not a clear image, however, by carefully lingering and concentrating, you understand the image that I want to represent, creating an explosive emotion in me, with the aim that it is also for those who observe it. As long as I am inspired, the image will always be the same, while the colors will change every time, to make my paintings unique and unrepeatable. “It is in the scenographic sense of abstract art that the true artistic quality is revealed in the images of dreamlike creativity and in the enchanted appearance of the human figure, where the vision is stimulated by an indefinite and aerial chromatism in the informal plots to open up to the imaginary of the collective unconscious with a singular expressive symbolism, while lyrical distances and magical secret reflections reveal an unexpected and idealistic spatiality for a new line of art. “ Dr. Carla d’Acquino Mineo, art critic

Details & Dimensions

Drawing:Chalk on Wood

Original:One-of-a-kind Artwork

Size:19.7 W x 19.7 H x 0.8 D in

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Biography My work in art was born from 40 years of craftsmanship in the field of building decoration, over the years a strong passion was born in me for the use of the material, spatula putty and marble My art takes shape from thought, which becomes a black and white image. While my state of mind becomes color and communication, which envelops the image-concept, bringing relief to an observer immersed in the work. In 1981 at the age of 15, I began my career as a "shop boy" in an artisan painting and decoration company, and from that period my curiosity in the world of art began. In January 1989 I became a professional craftsman. Over the years I have attended courses to improve the application techniques of various materials. Professional Decorators Institute of Bologna, Fel Academy and Liso Academy of Milan are the main ones. Among the various works carried out are the restoration of historic buildings and churches In 2018 I was appointed Master Craftsman at the Master Craftsmen Academy of Ferrara. Over the years I discovered a real passion for the use of the mixture of lime and marble dust which pushes me in 2020 to express my art publicly. I am participating in various national and international competitions Visit my website marcobagatinart.com

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