The Secret of the Navarro River Drawing

Diptaa Sloniir (anagram of "la disparition" in French) questions her relationship to disappearance. She tracks the individual and fleeting experience that will eventually become extinguished and intangible in a collective time and space. Her preferred medium most often combines 120mm film photography with modern and organic elements, creating what she perceives as totems or portraits; embodiments of an ongoing disappearance. A formal balance between an identifiable and discontinued narrative reveals her interest in a distorted reality.