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Three Snakes Drawing

Mauricio Cortes Ortega

United States

Drawing, Screenprinting on Paper

Size: 22 W x 30 H x 0.1 D in

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$815

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About The Artwork

Screenprinting on 20 x 30 inch paper. 2022-2024. In this series I am interested in challenging art historical narratives and modes of representation, for example, the painted Greek vase that documented various aspects of life. Traditional still-life paintings typically represent the time's motifs, desires, and political relationships across cultures. Each vessel represents an emotional facet of our 21st-century existence. The zoomorphic qualities of the sculptures are allegorical, expressing human and environmental concerns. Like a genie lamp that holds our dreams and aspirations, the transformed vessels may evoke a range of emotions like love, hope, fear, greed, or glee. I am inspired by world stories that feature animals as conduits of morality, like The Panchatantra story (an ancient Indian collection of animal fables)  about a friendship between a monkey with a golden heart and an old hungry crocodile. 

Details & Dimensions

Drawing:Screenprinting on Paper

Original:One-of-a-kind Artwork

Size:22 W x 30 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am a Mexican-American artist living and working in NYC. I create still-life paintings of anthropomorphic vessels. Soon after becoming a parent, I rediscovered how many stories stem from the natural world. Artists turn to animals, insects, and plants to craft narratives and instill moral values. From the Aztec snake Goddess Coatlicue to Disney’s Mickey Mouse, much of humanity's stories lean on the non-human to characterize the highs and lows of human history. My process begins with researching existing images of vessels from online and printed sources. I also use AI software to generate base forms. I then combine traditional drawing, collage, and screenprinting techniques to transfer individual vessel images one by one onto the canvas. The process is akin to assembling a puzzle, where each image of a vase or zoomorphic object is carefully analyzed and positioned in relation to others. This method allows for a harmonious yet complex composition, where every element is crucial in constructing the overall narrative. By reimagining history through zoomorphic objects, I aim to breathe new life into the still life genre, transforming it into a dynamic and storytelling medium.

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