VIEW IN MY ROOM
Estonia
Installation, plastic on Plastic
Size: 228.4 W x 22.8 H x 0.4 D in
Ships in a Tube
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Glitter Text refers logocentrically to the certain discourse within the contemporary global transcultural society of spectacle and infinite desire for both glamorous experience and inner sparkling. A cultural text that summarizes the ultimate consumer demands of affective world of desire; fabricated on attraction, fascination, saturation of superficiality, the promise of deep and reflecing surface etc. In the same time it is a politically empty signifier that makes its meaning out of the lack of The Real content. It underlines the opposition between linguistical representation and experience of the actual phenomena. It is self-referential as something "special" - narcissos, autopoiesis and the desireing machine as a perpetuum mobile; kaleidoscope's infinite difference in its own limits.
Original Created:2012
Subjects:Language
Materials:Plastic
Styles:ConceptualPop Arttext art
Mediums:plasticstickerPVCglitter sticker
Multi-paneled Installation:plastic on Plastic
Original:One-of-a-kind Artwork
Size:228.4 W x 22.8 H x 0.4 D in
Number of Panels:11
Frame:Not Framed
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Estonia.
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Estonia
KIWA is multichannel meta-artist, based in Tartu and Tallinn, Estonia. Currently he is resident artist at EMS/Fylkingen in Stockholm. He actively explores and blends different media, from paintings and conceptual objects to total audiovisual environments: all together functioning as a hypertextual research of meaning-making and cultural codes on different levels, collective and personal myths. He blends the meaning of authorship on different levels. He is interested in quote, pastiche, games of language and identity, (post)psychoanalysis and schizoanalysis were self-explanatory as artistic methods; an important place is also taken up by such keywords as conceptuality, simulacrum and absurd. The art of Kiwanoid is a labyrinth, or rather a labyrinth in a labyrinth. KIWA is also active as lecturer in the Estonian Academy of Arts (since 2006) and curator (since 1999). He initiated a series of multimedia events with a code name "Metabor" (2001-2004) and publication of anthology of experimental literature "Nutritive Milk of Mother Heroine - A Textual Lens" (2006). Last year he also ï¬nished his ï¬rst full-length documentary movie "Wariazone" (with anthropologist Terje Toomistu) about Indonesian transgender phenomenon. Participates in exhibitions since 1995, his last personal shows took place at RRR (Vienna), Vaal gallery (Tallinn), Y-gallery (Tartu), Galerie Rivoli 59 (Paris) and Draakoni Gallery (Tallinn). Recent grpup shows and festivals include: Henie Onstad (Norway); The Kitchen, Yvon Lambert Gallery and Renaissance Society (USA); Tate Modern and Milch Gallery (UK); Stedelijk and DeAppel (Netherlands); Tseretely gallery and SKIF festival (Russia); Seccession and CAT/MAK (Austria), 1st Electronic Festival (Belorussia), Rivoli59 and Chateau de Tours (France), NU Performance Festival and Kumu Art Museum (Estonia); Black Leather club and Manizales Theatre Festival (Colombia) etc. Works in collections of Art Museum of Estonia, Tartu Art Museum, and private collections in Estonia, Europe and USA.
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