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Mandala Installation
Belgium
Installation, Charcoal on Wood
Size: 40 W x 40 H x 3.5 D in
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About The Artwork
In this series I try to recompose several circles from pieces of materials such as charcoal, shale or marble. The pieces are selected and then arranged in a circular manner from the outside to the inside of the circle. It is a way for me to build something harmonious and united from various elements, all with their own differences. It is the slow and meticulous work echoing the gestures of artisanal practices that exalt the qualities of the mineral and the organic. Raw, just assembled, their appearance nevertheless stems from a history to be considered in the long term. These sets alone make up a world. One must see in them a pursuit of balance, a search to capture the moment in suspense, fleeting. Through this will to "make exist" together these "material" elements, I approach the notion of the transitory character of all things.
Original Created:2020
Subjects:Abstract
Details & Dimensions
Installation:Charcoal on Wood
Original:One-of-a-kind Artwork
Size:40 W x 40 H x 3.5 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Belgium.
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Belgium
My work privileges the gesture, the process, the materiality. The ambient surplus of visual and verbal information encourages me to propose a practice that is based on instinct and whose exchange is on a physical and emotional level rather than an intellectual one. Before the word there is perception. Preferring natural materials (coal, earth, pigments, stones, gold, vegetable matter) my works reveal the expressive possibilities of the material and are part of a tangible reality. Each element is chosen for its singularity, its intrinsic beauty and its visual presence. The resulting narrative is personal to each artist and is not imposed from the beginning. Roughness is sought in that it reflects the living, natural and mineral world. The reduction of the aesthetic vocabulary coincides with the desire to free oneself from too much individuality and to go towards a certain sobriety and humility.
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