VIEW IN MY ROOM
United States
Mixed Media, Acrylic on Wood
Size: 12 W x 16 H x 1 D in
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This piece started out wanting to be a peaceful horizontal work with bright colors offsetting muted colors on the top and bottom. It went off the rails spectacularly after the first few marks, which often function as nearly invisible guide-marks, suggested something entirely different. The results encompass the same color scheme, but instead dive headfirst into the chaos of a burgeoning Spring landscape of sorts. It is on a relatively shallow factory-made cradled wood panel, about an inch deep, with no frame, and ready to hang on a wire.
Mixed Media:Acrylic on Wood
Original:One-of-a-kind Artwork
Size:12 W x 16 H x 1 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
No offense, but I’d rather get shingles than read or write an Artist Statement. All the stories have been told billions of times over, and the reasons are now as prosaic as dust on a coffee table. So here goes: I’m a crazy person. I believe many artists are more-or-less crazy. We spend time developing a secret language we hope other people will want to decipher, and if they do, we hope they will pay us for it. So I’ve been working on my current ‘code’ for 20 years, and you know what? It uses the same symbols as a million other artists. But I hope, at least, you will get that my message is this: life is scary, but we can find the beauty and magic in it (gag). Kids are much better at this than adults, and nature is better at it than the aberration known as humankind. For what it’s worth, the paintings are either on polypropylene paper with ink, acrylic and graphite, or on dry joint compound, (the stuff used in sheet-rocking new homes) with pretty colors soaked in, and other types of marks. It’s an ecosystem of intent and error that, if I’m lucky, balances out compositionally. Sort of.
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