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United Kingdom
Painting, Graphite on Wood
Size: 93.7 W x 45.7 H x 1.4 D in
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The number of the beast... The piece is an exercise in precision and subtlety. The beautiful numerical font is derived from mid-century Greyhound racing betting tickets and is somehow metaphysically enriched by the excitement and belief of the millions of race-goers who have placed their faith in their chosen numbers. The background panel is finished in metallic pewter and zinc powders suspended in lacquer, and is incised with a thunder-ball graphic. This symbology dating back to the Greco-Roman era, combining paired lightning bolts and spread eagle wings flanking a planetary orb. The full height numerals are executed in two tone pink electroluminescent inlay and act as a chromatic counterpoint to the metallic neutrality of the background
Painting:Graphite on Wood
Original:One-of-a-kind Artwork
Size:93.7 W x 45.7 H x 1.4 D in
Frame:Other
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
The DANGEROUS MINDS ARTISTS Studio was founded by Michael Lake-McMillan and Alan Stuart. The artists’ distinctive work constantly refers and returns to the touchstones of light, beauty in decay, abandonment and antiquated typography. Dangerous Minds practice is driven by duality. The pairs’ intuitive subliminal dialogue centres on point and counterpoint and the production of works that are, fundamentally, aesthetically appealing and which, on further inspection, inspire curiosity and cause a ripple of intellectual stimulation. Subject matter is considered in depth, deconstructed then reformulated with an essential duality at its core, often incorporating ambiguous or cryptic text elements relating to a parallel narrative. Key to their oeuvre is the juxtaposition of the immediately apparent and that which only becomes visible through physical change – either in the position of the viewer or in the lighting of the work, whether specifically engineered or occurring naturally with the transition of day into night.
Artist featured by Saatchi Art in a collection
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