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Adam, bad apple Painting

Theo Overgaauw

Netherlands

Painting, Oil on Canvas

Size: 37.4 W x 47.2 H x 0.8 D in

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$2,845

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About The Artwork

"Adam,bad apple", a satirical painting. At the center of the painting stands Adam, a naked male figure, wearing only a pair of Converse basketball shoes. These shoes, typically symbolic of athleticism and movement, now serve as a stark contrast to Adam's inability to fly with the skin-like wings that emerge from his shoulder blades. These wings, originally intended for flight, have grotesquely transformed into fleshy appendages that weigh him down, rendering them a handicap rather than a gift. They hang limply at his sides, symbolising the loss of his once-promising potential. Adam's face remains hidden behind a white handkerchief, a mask of deceit. Only his eyes are visible, peering out from behind the cloth. Painted on the handkerchief is a false, unnaturally wide grin with teeth that give an unsettling impression of artificiality. This smile speaks to the façade that Adam may be forced to wear in modern society, concealing his true emotions and struggles behind a veneer of cheerfulness. The green-painted fingernails on Adam's hands are a vivid declaration of his uniqueness and divergence from societal norms. They draw attention to his individuality and question the rigid expectations placed upon him. In the background, a blue sky with a yellowish cloud hangs ominously, suggesting a world in flux and turmoil. The juxtaposition of the serene sky with the chaotic foreground creates a sense of unease, mirroring Adam's internal turmoil and the challenges he faces. Foregrounded against a backdrop of red earth and black, Adam's vulnerability and struggles are intensified. Here, he faces the relentless torment of a skull on socks, a macabre figure that symbolises punishment and suffering. The skull holds a tiny flame, poised to scorch Adam's flesh, symbolising the relentless torment and adversity he faces, possibly as a consequence of his actions or perhaps as a cruel twist of fate. All paintings are signed on the reverse.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:37.4 W x 47.2 H x 0.8 D in

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My artistic practice is one of constant evolution and experimentation, shifting between ideas and techniques as I seek to keep the process fresh and challenging. Beginning with figurative art during my early days at the academy, I embarked on a transformative trajectory that includes periods of abstraction and a return to figurative painting. These shifts occur deliberately and gradually, rekindling the artistic challenge and infusing fresh vitality into my creations. Personal life experiences, including profound moments like the loss of a loved one or a transition from a vibrant urban environment to a tranquil countryside, have been instrumental in shaping these transformative shifts. Presently, my artistic exploration centers on scrutinizing the intricate connections between religion, particularly Christianity, gender dynamics, and their collective ramifications on society. I hope to raise thought-provoking questions about the enduring influence of strong religious doctrines, which, despite waning in contemporary society, continue to shape both our legal systems and perceptual frameworks. My artistic style oscillates between the realms of abstraction and figuration, with alternating phases where one style takes precedence over the other. Working primarily with acrylics and oil paints on linen, I embark on each piece with a blank canvas and minimal premeditation. This approach empowers me to paint with a sense of unrestrained freedom, sidestepping the potential constraints of meticulous preliminary studies. Such studies, while useful for some, could potentially stifle my genuine joy of painting and the innate vitality that emerges within the artwork itself.

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