VIEW IN MY ROOM
Italy
Painting, Oil on Canvas
Size: 47.2 W x 39.4 H x 0.8 D in
Ships in a Crate
Shipping included
14-day satisfaction guarantee
Artist Recognition
Artist featured in a collection
The artwork's composition spreads out to two different, but same-sized, canvas surfaces (cm. 60 x cm. 100); these are fixed to the centre by two hinges that let the work opening to the maximum range of 180°. So, for instance, the painting could easily be hanging from a corner wall, 45 degrees opened. The edges (cm. 2 depth) are sandblasted and cerulean oil-colour fixed. Work's structure starts from a pink shades oval heart, placed centrally at the bottom. The movement extends equally on both sides, just like forming arches through various thick and long green brush strokes. Then, applying a process of ultramarine dabbing yet green strokes as well, artwork's very own structure actually get its final shape. On the upper side, long strokes manage to appear again, moving right to the same direction, though they are cerulean ones instead. To the edges, like enclosing the whole, there are two vertical tableaux, still covered in ultramarine patches and yellow strokes, that this time appear to be kind of improvised and that reflect two half-lancet windows, enlightening the final result in its total view. The collateral inspiration of the painting comes by a tiny African figure, just like it previously happened to the early Modern Art scene, where a very big portion of concepts and ideas have been inspired directly by African Primitive Art. The figure is a female one and like in ancient African representations, the woman is divine, since she gives continuity to life being procreative.
Multi-paneled Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:47.2 W x 39.4 H x 0.8 D in
Number of Panels:2
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Italy.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
Have additional questions?
Please visit our help section or contact us.
About Me: I started studying Art in the very first seventies. That time was full of ideological ferments: first of all, I tried to plan a continuous and lasting path inside myself, aiming to examine the best opportunities to establish a lifestyle that would eventually let me the chance to coherently live with myself, my own person, and to see things from different points of view, taking me right over the things, where it’s possible “ to get some air… to breathe “. This concept directly relates to the words of a close friend of mine from Cefalu’, that visiting one of my solo exhibitions held at Osterio Magno defined my works exactly like “ airy “. When I have finished with my workday, I usually make step-by-step decisions on what should be the best way to proceed with details, trying to remember, at least sometimes, to get a distant view of the painting, in order to gain a wide-ranging vision of the whole. Luckily and often, I’m pretty much satisfied of what I see in front of me, so I may decide to step further, putting close tones and balancing shapes. This process gives me the chance to set up my own way to make and to intend Art itself, which also coincides with my way to live, becoming an all-in-one. The interest in drawing, almost inborn, is the actual motivation that led me to start my Art Studies path. When in High-School, my allure in drawing increased day after day, also thanks to figure drawing, still-life painting and drapery representations, made exclusively through hand-free pencil; I also found myself caught by sketch drawing, where the ideas could met animation. My main choice, was the one to sign-up for the lab of Metal Art, which ended up in receiving my triennial Diploma of “ Maestro d’Arte “. In this class, what I found particularly interesting was the proper technique of glazing on red copper, that basically introduced me towards the proper world of colors, as well the painting itself. This way, drawings suddenly turned into watercolors, and pencils, inks and tempera shortly followed. It seemed like pretty much everything was leading me to the painting reality, thanks to a solid and prior base in drawing. The very first creations, consisted in placing eastern foulards (that I used to collect, from time to time) as models, trying to express them in a pictorial way. Right from this, I made the choice to get going with flat colors and plain compositions, showing central subjects next to never.
Artist featured by Saatchi Art in a collection
Thousands Of Five-Star Reviews
We deliver world-class customer service to all of our art buyers.
Global Selection
Explore an unparalleled artwork selection by artists from around the world.
Satisfaction Guaranteed
Our 14-day satisfaction guarantee allows you to buy with confidence.
Support An Artist With Every Purchase
We pay our artists more on every sale than other galleries.
Need More Help?