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Carmel-by-the-Sea Courtyard Painting

Tatyana Fogarty

United States

Painting, Oil on Canvas

Size: 16 W x 12 H x 0.2 D in

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About The Artwork

The entrance to this charming courtyard on Dolores Street between Ocean Avenue and 7th Street lies between the two restaurants: Little Napoli and Vino Napoli. It is called El Paseo, and it is a passageway where new California meets old Spain. Much of Carmel center was built in the 1920s, and this beautiful courtyard reflects the Spanish Colonial Revival style. I love the colorful tiles on the planter and the fountain and the ornate wrought iron railing on the staircase. I was delighted to explore and capture on canvas the effects of light on different surfaces and textures. Materials used to create this artwork: oil on oil-primed linen on 1/8" MDF archival art panel, the back of the panel is finished with melamine to prevent warping and deterioration. Painting surface is protected with a coat of Gamvar varnish. The painting is unframed, and will require a frame to hang. Images showing it framed in home interiors are for presentation of potential framing ideas only.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:16 W x 12 H x 0.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Signature member of American Impressionist Society (AIS),Signature Member of Laguna Plein Air Painters Association (LPAPA); an Artist Member of California Art Club (CAC), and Oil Painters of America (OPA). All my childhood and youth I lived and breathed music. The transition from playing piano to transferring this inner music on canvas with oil paint happened later in life. I see my art as visual music. I try to bring it to life with harmonious colors, which emanate joy and peace. I infuse each of my brush strokes with its own kind of melody. My hope is that the viewers will hear the sounds and rhythms of that music as they look at my work, and it will generate the same emotions and connections that I had when painting that piece. I am inspired by the way light shapes the landscape, and I strive to capture it on canvas. I often paint en plein air (on location), which allows me to use all my senses to interpret a scene in front of me with a sense of immediacy and honesty. I choose to paint in oils, because I love their robust quality of bright, luminous colors, which are easily bendable and capable of retaining texture and showing brushstrokes. My favorite starting point for the landscape painting is the golden light of late afternoon, known as the “magic hour”, which creates the most intriguing and fascinating effects by merging captivating shadow patterns and warm, luminous color of the setting sun.

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