view additional image 1
View in a Room ArtworkView in a Room Background
I’ve always been drawn more to portraits than any other type of painting. The human face is very complex and changes constantly with moods but as an artist, I like to challenge myself. When we meet someone, we look at their face to read their emotions and understand their personality. I think portrait and figure drawing had become a dying art with the development of photography. That’s why I’ve never liked doing simple portraits in a traditional way. I tend to start with very sketchy and patchy strokes to get the essential features of the subject and then I use large color brush strokes to add movement and energy so that the whole piece becomes more engaging with the viewer
I’ve always been drawn more to portraits than any other type of painting. The human face is very complex and changes constantly with moods but as an artist, I like to challenge myself. When we meet someone, we look at their face to read their emotions and understand their personality. I think portrait and figure drawing had become a dying art with the development of photography. That’s why I’ve never liked doing simple portraits in a traditional way. I tend to start with very sketchy and patchy strokes to get the essential features of the subject and then I use large color brush strokes to add movement and energy so that the whole piece becomes more engaging with the viewer
I’ve always been drawn more to portraits than any other type of painting. The human face is very complex and changes constantly with moods but as an artist, I like to challenge myself. When we meet someone, we look at their face to read their emotions and understand their personality. I think portrait and figure drawing had become a dying art with the development of photography. That’s why I’ve never liked doing simple portraits in a traditional way. I tend to start with very sketchy and patchy strokes to get the essential features of the subject and then I use large color brush strokes to add movement and energy so that the whole piece becomes more engaging with the viewer
638 Views
7

VIEW IN MY ROOM

Clementina Painting

Kos Cos

Hong Kong

Painting, Enamel on Canvas

Size: 39.4 W x 47.2 H x 0.8 D in

Ships in a Tube

info-circle
$1,039

check Shipping included

check 14-day satisfaction guarantee

info-circle
Primary imagePrimary imagePrimary imagePrimary imagePrimary image Trustpilot Score
638 Views
7

Artist Recognition

link - NFT Artist

NFT Artist

link - Featured in the Catalog

Featured in the Catalog

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

I’ve always been drawn more to portraits than any other type of painting. The human face is very complex and changes constantly with moods but as an artist, I like to challenge myself. When we meet someone, we look at their face to read their emotions and understand their personality. I think portrait and figure drawing had become a dying art with the development of photography. That’s why I’ve never liked doing simple portraits in a traditional way. I tend to start with very sketchy and patchy strokes to get the essential features of the subject and then I use large color brush strokes to add movement and energy so that the whole piece becomes more engaging with the viewer

Details & Dimensions

Painting:Enamel on Canvas

Original:One-of-a-kind Artwork

Size:39.4 W x 47.2 H x 0.8 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Kos Cos is an abstract artist from Sri Lanka residing in Hong Kong. He is known for his unconventional approach to art, which involves using bold brushstrokes, vivid colours, and movement. By employing innovative techniques of form, geometry, and pattern, Kos Cos explores the nature of human thoughts and the cyclical aspect of life. His art is influenced by the aesthetics of billboard paintings that were prevalent in Sri Lanka during the 1990s, as well as advertising. Kos Cos also received training in cartoon drawing under the tutelage of Sri Lankan cartoonist Mr S. C. Opatha. Kos Cos has exhibited his artwork in both the United Kingdom and Hong Kong. He was a finalist for the 2018 Royal Art Prize and was also chosen as one of the artists for Saatchi Art's inaugural NFT drop, 'The Other Avatars,' in 2022. His art has been acquired by prestigious institutions such as Standard Chartered Bank, HSBC Hong Kong, and the Hong Kong Museum of Medical Sciences, in addition to private collectors from the United States, United Kingdom, France, Belgium, China, Hong Kong, Japan, and Australia.

Artist Recognition

Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Artist featured in a collection

Artist featured by Saatchi Art in a collection

Thousands Of Five-Star Reviews

We deliver world-class customer service to all of our art buyers.

globe

Global Selection

Explore an unparalleled artwork selection by artists from around the world.

Satisfaction Guaranteed

Our 14-day satisfaction guarantee allows you to buy with confidence.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.

Need More Help?

Enjoy Complimentary Art Advisory Contact Customer Support

Related Searches

blackwomenchineseasian angryfeelingsgrey