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Crystalline Chapel Painting

Oakley Zylaco

United States

Painting, Acrylic on Canvas

Size: 30 W x 36 H x 2 D in

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$2,250

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About The Artwork

This abstract landscape painting is as much about the unseen quantum world as it is about the world we experience. It is also about the change that is ever occurring in nature. I call this piece "Crystalline Chapel" because of the crystal-like areas I have woven across the painting and because I feel that nature is holy. Nature has become my church, my place of worship. The painting shows natural elements like trees, plants, and flowers juxtaposed in an underlying geometric structure. With the crystal-like areas that span the painting from left to right, I aim to show the complexity and order of the inner workings of nature, which are a mystery to me. A tall, slender tree spans the left side of the canvas, dripping water collected on its leaves, nourishing what's below. Flowers, in the work, are about growth and healing.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:30 W x 36 H x 2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I paint in a style shown to me during an NDE (near-death experience). With my acrylic paintings, I explore the inner landscapes of grief, healing, authenticity, and spirituality through portrait and nature subjects. We humans experience very little of the physical world because of the limitations of our senses. I aim to draw the viewer closer to the unseen interconnectedness of all things to consider life through a wider lens. I incorporate a sense of other-worldliness into my paintings to achieve a “more than meets the eye” experience. My paintings are rich in symbolism. In most of them, you will find “circles within circles. These represent portals, decision points, or potentiality. Flowers and plants draw the viewer back to the physical world we experience. They also represent growth and healing. Some paintings show multiple faces on one figure. These represent aspects of self or the masks we wear. Either way, they are about the struggle and desire to find and live out one’s authentic self. I don’t believe in “bad” or “negative” emotions. So, when choosing color palettes, I often treat lighter and more difficult topics with purposeful equanimity. This methodology applies particularly to portrait work. For other work, I match the color palette to work in concert with the mood or idea I want to convey.

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