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Furaha Mbili Painting

Maria Mitsumori

Japan

Painting, Blue Gold Leaf on Japanese Washi Paper

Size: 17.7 W x 20.9 H x 1.2 D in

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About The Artwork

This original abstract painting is a 2 piece set, sold individually. Both are highly textured mineral paintings, made with Japanese blue-gold leaves, natural and synthetic minerals and partially resin on Japanese paper mounted on a wood panel. Natural colors include gemstones or precious and semi-precious stones, such as green agate (deep matcha green). Because these substances consist of unique chemical and physical properties, every artwork has unique characteristics and a story to tell, with a sense of connection to the earth. All 4 sides are painted with a 3D-like appearance. It has a matt, sand-like texture for mineral areas and a smooth texture for resin areas. "Furaha" means joy and happiness in the Swahili language. Inspired by the rich culture and extraordinary land of South Africa, the artist expresses an environment of respect for differences in traditions and values, each existence as an independent entity. These duo pieces are part of the artist's continuous research on the Four Color Theorem or the Four Color Map Theorem of mathematics, which states that no more than four colors are required to color the regions of any map so that no two adjacent regions have the same color. In mint condition, Certificate of Authenticity included and calligraphy seal in front, hand-signed at the back. Sold unframed and ready to hang (eye bolt and string mounted at the back). Artist: Maria Mitsumori Style: Mineral painting with resin over blue-gold leaves Size: H53 x W45 x D3 cm (20.87 x 17.72 x 1.19 in) Year: 2022

Details & Dimensions

Painting:Blue Gold Leaf on Japanese Washi Paper

Original:One-of-a-kind Artwork

Size:17.7 W x 20.9 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Mitsumori works in the traditional Japanese art form of mineral painting. She lived and studied at international boarding schools in Switzerland and Hong Kong for 15 years before returning to Japan. Her global upbringing and Japanese roots heavily influence how she sees the world and inform the thematic tendencies in her work, most notably in the ideas of transcending borders and coexisting diversity. Mitsumori considers painting as a tangible way to preserve the abstract, drawing upon the early use of mineral painting as a form of preservation. Creating and showcasing artworks nationally and internationally, Mitsumori has exhibited in London, Dubai, Paris, Singapore, and Tokyo. Her multiple award-winning work has been featured in international exhibitions and is part of public collections.

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