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GEOMORPHOLOGY Painting
Spain
Painting, Spray Paint on Canvas
Size: 76.8 W x 76.8 H x 2.8 D in
Ships in a Crate
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Artist featured in a collection
About The Artwork
Nature, the evolution of the terrestrial relief in the dynamics of the geographic cycle, through constructive and destructive processes that trigger geomorphological processes. “GEOMORPHOLOGY” gives name to this new artistic stage and is the origin of the theoretical reference of the work. Painting much closer to sculpture than in previous series. The Form in this case moves away from man, it is analyzed and represented through its primary, original behavior. The shape of the earth's surface, relief affected by biotic and abiotic factors such as gravity, soil, climate and water masses. The climate through pressure, temperature, humidity and wind. Water with the action of runoff, fluvial and marine action. Ice with glacial modeling. Internal geological factors such as tectonics, orogenesis and volcanism are also construction processes of endogenous origin that oppose modeling and interrupt the geographical cycle. Finally, anthropic factors through the action of man affecting the terrestrial relief. All this constitutes the generating elements of what we see on our planet, of the shape of our environment. Form is not only what we see, it is the result of intense, wonderful, complementary, contradictory forces, many of them invisible, many others mysterious, some predictable and very few controllable. For Nietzsche, Nature is understood without any positivist, materialist, idealist, realist, romantic, dogmatic, theological, or bourgeois character, that is, without any nihilistic character. Nature as an abyss of flowing forces, as the foundation of all foundations, namely the groundless, the ungrounded. "Nature and spirit" merge in the "deep" abyss, because it is superficial, of dynamic Nature. A behavior that is described in a very evident way in this fragment "...that you are for me a dance floor for divine chances, that you are for me a table of gods for dice and divine players" (F. Nietzsche, Así Zarathustra spoke 258).
Details & Dimensions
Painting:Spray Paint on Canvas
Original:One-of-a-kind Artwork
Size:76.8 W x 76.8 H x 2.8 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Spain.
Customs:Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.
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From a contemporary perspective through abstract languages, close to Arte Povera and Materic Art, in which I combine tradition and innovation. As a versatile creator, my artistic work explores different methods (sculpture, painting, photography, installation, video). Within an abstract style but full of symbolism, I have given great relevance to the material substratum of the work. The marked conceptual sense, where the material support transcends its state and provokes a profound analysis, should be highlighted. Chromatic austerity is a characteristic element of my work: reducing my palette to a very limited range of colours, based on ochres, blacks and reds, with which to create works of great chromatic contrast and powerful visual impact. I am greatly interested in the use and re-use of materials with a strong industrial stamp, such as Corten steel, aluminium, cement and glass, which stand out due to the experimentation, the special, formal and interim analyses, the perception, the theoretical development and the public sphere, as well as delving into new media and technological innovation. My vital, intellectual and artistic inquisitiveness has led me to explore a large part of the world, where, at the same time, I have developed many of my projects, embracing the essence of each territory, to reinterpret it and decipher it in my works. Projects, trips and life experiences, of marked contrast and complementarity, such as stays of several months in Washington and New York, creation and exhibitions in Mexico City, research projects in Puerto Rico, conferences in Tokyo, in situ works creation for collectors in Qatar, projects in Indonesia, etc. Experiences in Asia, the Middle East, America and Europe are influences that have spread to my work and creative processes. Private collections, institutions, galleries, curators, critics and the media have trusted and looked into my work, which, from my beginnings, has been characterised as being personal, intense, consistent and on the border between tradition and innovation.
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