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Materials: unstratched canvas 71Hx97L cm, Liquitex professional soft body acrylic, Amsterdam acrylic, Polycolor maimeri acrylic, Louvre acrylic, Sennelier oil pastel, Master pastel.
A final glossy varnish is applied.
Acrylic, oil pastel, chalk, on unstrached canvas 71Hx97L cm, signed on the front.

Il profumo dei libri

Vecchi tomi, al degradar dei loro miscugli, si apprestano a liberare dolci e floreali fragranze di mandorle e vaniglia, sicché l'olfatto mi conduce nel teatro dei ricordi.
MC

Per sviluppare questo concetto ho scelto una composizione semplice di soli rettangoli.
Rigorosamente bidimensionale, unico elemento che dà corpo al quadro sono le texture in multistrato.
I colori scelti nella composizione richiamano libri della mia biblioteca (in lieve rilievo si possono intravvedere I titoli).
Per lo sfondo ho utilizzato colori che mi evocano tranquillità e pace.

The Scent of books

Old tomes, to the degradation of their mixtures, are preparing to release sweet and floral fragrances of almonds and vanilla, so that the sense of smell leads me to the theatre of memories.
MC

To develop this concept I chose a simple composition of just rectangles.
Strictly two-dimensional, the only element that gives body to the paint are the multilayer textures.
The colors chosen in the composition recall books of my library (in a slight relief you can see the titles).
For the background I used colors that evoke tranquility and peace.
Materials: unstratched canvas 71Hx97L cm, Liquitex professional soft body acrylic, Amsterdam acrylic, Polycolor maimeri acrylic, Louvre acrylic, Sennelier oil pastel, Master pastel.
A final glossy varnish is applied.
Acrylic, oil pastel, chalk, on unstrached canvas 71Hx97L cm, signed on the front.

Il profumo dei libri

Vecchi tomi, al degradar dei loro miscugli, si apprestano a liberare dolci e floreali fragranze di mandorle e vaniglia, sicché l'olfatto mi conduce nel teatro dei ricordi.
MC

Per sviluppare questo concetto ho scelto una composizione semplice di soli rettangoli.
Rigorosamente bidimensionale, unico elemento che dà corpo al quadro sono le texture in multistrato.
I colori scelti nella composizione richiamano libri della mia biblioteca (in lieve rilievo si possono intravvedere I titoli).
Per lo sfondo ho utilizzato colori che mi evocano tranquillità e pace.

The Scent of books

Old tomes, to the degradation of their mixtures, are preparing to release sweet and floral fragrances of almonds and vanilla, so that the sense of smell leads me to the theatre of memories.
MC

To develop this concept I chose a simple composition of just rectangles.
Strictly two-dimensional, the only element that gives body to the paint are the multilayer textures.
The colors chosen in the composition recall books of my library (in a slight relief you can see the titles).
For the background I used colors that evoke tranquility and peace.
Materials: unstratched canvas 71Hx97L cm, Liquitex professional soft body acrylic, Amsterdam acrylic, Polycolor maimeri acrylic, Louvre acrylic, Sennelier oil pastel, Master pastel.
A final glossy varnish is applied.
Acrylic, oil pastel, chalk, on unstrached canvas 71Hx97L cm, signed on the front.

Il profumo dei libri

Vecchi tomi, al degradar dei loro miscugli, si apprestano a liberare dolci e floreali fragranze di mandorle e vaniglia, sicché l'olfatto mi conduce nel teatro dei ricordi.
MC

Per sviluppare questo concetto ho scelto una composizione semplice di soli rettangoli.
Rigorosamente bidimensionale, unico elemento che dà corpo al quadro sono le texture in multistrato.
I colori scelti nella composizione richiamano libri della mia biblioteca (in lieve rilievo si possono intravvedere I titoli).
Per lo sfondo ho utilizzato colori che mi evocano tranquillità e pace.

The Scent of books

Old tomes, to the degradation of their mixtures, are preparing to release sweet and floral fragrances of almonds and vanilla, so that the sense of smell leads me to the theatre of memories.
MC

To develop this concept I chose a simple composition of just rectangles.
Strictly two-dimensional, the only element that gives body to the paint are the multilayer textures.
The colors chosen in the composition recall books of my library (in a slight relief you can see the titles).
For the background I used colors that evoke tranquility and peace.
Materials: unstratched canvas 71Hx97L cm, Liquitex professional soft body acrylic, Amsterdam acrylic, Polycolor maimeri acrylic, Louvre acrylic, Sennelier oil pastel, Master pastel.
A final glossy varnish is applied.
Acrylic, oil pastel, chalk, on unstrached canvas 71Hx97L cm, signed on the front.

Il profumo dei libri

Vecchi tomi, al degradar dei loro miscugli, si apprestano a liberare dolci e floreali fragranze di mandorle e vaniglia, sicché l'olfatto mi conduce nel teatro dei ricordi.
MC

Per sviluppare questo concetto ho scelto una composizione semplice di soli rettangoli.
Rigorosamente bidimensionale, unico elemento che dà corpo al quadro sono le texture in multistrato.
I colori scelti nella composizione richiamano libri della mia biblioteca (in lieve rilievo si possono intravvedere I titoli).
Per lo sfondo ho utilizzato colori che mi evocano tranquillità e pace.

The Scent of books

Old tomes, to the degradation of their mixtures, are preparing to release sweet and floral fragrances of almonds and vanilla, so that the sense of smell leads me to the theatre of memories.
MC

To develop this concept I chose a simple composition of just rectangles.
Strictly two-dimensional, the only element that gives body to the paint are the multilayer textures.
The colors chosen in the composition recall books of my library (in a slight relief you can see the titles).
For the background I used colors that evoke tranquility and peace.
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Il profumo dei libri Painting

Matteo Cassina

Italy

Painting, Acrylic on Canvas

Size: 38.2 W x 28 H x 0 D in

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266 Views
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link - Featured in Inside The Studio

Featured in Inside The Studio

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Showed at the The Other Art Fair

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Artist featured in a collection

About The Artwork

Materials: unstratched canvas 71Hx97L cm, Liquitex professional soft body acrylic, Amsterdam acrylic, Polycolor maimeri acrylic, Louvre acrylic, Sennelier oil pastel, Master pastel. A final glossy varnish is applied. Acrylic, oil pastel, chalk, on unstrached canvas 71Hx97L cm, signed on the front. Il profumo dei libri Vecchi tomi, al degradar dei loro miscugli, si apprestano a liberare dolci e floreali fragranze di mandorle e vaniglia, sicché l'olfatto mi conduce nel teatro dei ricordi. MC Per sviluppare questo concetto ho scelto una composizione semplice di soli rettangoli. Rigorosamente bidimensionale, unico elemento che dà corpo al quadro sono le texture in multistrato. I colori scelti nella composizione richiamano libri della mia biblioteca (in lieve rilievo si possono intravvedere I titoli). Per lo sfondo ho utilizzato colori che mi evocano tranquillità e pace. The Scent of books Old tomes, to the degradation of their mixtures, are preparing to release sweet and floral fragrances of almonds and vanilla, so that the sense of smell leads me to the theatre of memories. MC To develop this concept I chose a simple composition of just rectangles. Strictly two-dimensional, the only element that gives body to the paint are the multilayer textures. The colors chosen in the composition recall books of my library (in a slight relief you can see the titles). For the background I used colors that evoke tranquility and peace.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:38.2 W x 28 H x 0 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I was born in Bergamo in 1974. I am a self-taught artist and i began to paint at the end of 2013 because i had the need to find a way to express myself. I am focused on abstract art, whereof i love the irreproducibility. My process of abstraction is constantly changing: creating and destroying, solve problems, focus on what's interesting and what is not. This is a continuous 'transference' and 'countertrasference' as a kind of psychotherapy. The thought is in some way transferred to the canvas and restored back to the ego. The creative path of the latest works is characterized in different phases. A first phase, which we can define as dissociative, in which without rules and constraints I put my thoughts and emotions on canvas; I use gestures, signs, colors, shapes, textures and different materials. In the following phases, characterized by multiple layers, I gradually move towards an associative phase in which I look for a common thread to frame the mood of the first phases. You can schematically summarize so: EXPRESSION/INTROSPECTION; a journey to understand oneself.

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