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Impermanence (Gold) Painting

Lana Haga

Finland

Painting, Acrylic on Canvas

Size: 19.7 W x 24 H x 0.8 D in

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$2,250

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About The Artwork

In this series, the artist uses readily available materials to create compositions that inspire presence and contemplation. Investigating impermanence, duality and human nature and working to defy the classical notions of painting and sculpture with her particular compositional technique. In addition to using mica pigment and acrylic paint, the artist this work utilises the primitive and raw quality of bitumen in this work. Bitumen- a product of decomposition of ancient plant and animal life that has been used by humans for more than 40000 years. Viscous and black bitumen and similar substances such as petroleum, crude oil and asphalt have each played a key part in constructing the houses, ships, cities and later industries that took us to the present day, where the destruction caused by excessive use of fossil fuels and overproduction of plastic has resulted in a major climate crisis. The slow-drying quality of the material allows the artist to manipulate the material in various ways, creating stretching, pooling, wrinkling and cracking textures that solidify on canvas as it dries completely.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:19.7 W x 24 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in 1986, residing and working in Vaasa, Finland, Lana Haga is a multidisciplinary artist—working in sculpture, painting, and installation—best known for transforming post-industrial matter into new objects, marked by vivid colour and reflective surfaces. Three-dimensional paintings, text-paintings supported by unconventional surfaces, sculptures, and in-situ installations evoke analogies referring to existential struggles of the human condition but also the lingering effects of industrialisation and pollution, material displacement, climate change, and the luring existence of a world beyond our nature. From a visual perspective, Lana Haga’s works are marked by both versatility and continuity as she continues reinventing her artistic practice, visualising and revisiting her message in new forms, processes, and disciplines. Materials like leather, steel, rubber, plastic, bitumen, paint, glass and textiles are combined and juxtaposed to create a constant interaction of opposites in terms of soft versus hard, matte versus reflective, organic versus artificial.

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