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United Kingdom
Painting, Acrylic on Wood
Size: 15.9 W x 20.5 H x 0.8 D in
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My work explores the process and meaning of drawing in general. The repetition of marks and lines are regularly recurring elements. This laborious weaving and layering of surfaces creates fragments of something that is no longer there and which moves between the visible and the invisible. The repetitive dense graphic lines are a direct response to the continual thread of fleeting moments in the ‘online/social media experience’ but as a process they give me a systematic structure which is drawn over again and again and eventually it feels like erasing history but the memory of it remains and cannot be erased completely. This means the repetitive process becomes more than simply a pencil drawing on board.
Original Created:2019
Subjects:Abstract
Materials:Wood
Styles:Abstractgeometricminimalist
Mediums:AcrylicGessographite pencil
Painting:Acrylic on Wood
Original:One-of-a-kind Artwork
Size:15.9 W x 20.5 H x 0.8 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
born in Heidelberg, Germany Living and working in UK My intricate drawings explore mark-making as compound memory. Constructed from layer upon layer of rectilinear geometries, obsessively serialised marks and lines, my work incorporates process as signifier of human response to both the experiential, as defined by materials and memory, and the mind’s abstract construction of form and meaning. These are the words used by art historian Martin Kerrison who wrote about my work. Simply said I am interested in serial mark making and memory. More recently my work has been described as follows: "Between passivity and action. Hanna’s linear proposals not to primal marks. They are straightforward and not at all, as they project and deny a complexity of the art making process. Paint and graphite are adhered at different stages then often partially removed. The aesthetic derived from their removal is not entirely in the artist’s control. The result is the reveal of a process of assertion and denial.” extract from an essay by Jillian Knipe, artist and writer
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