VIEW IN MY ROOM
Italy
Painting, Oil on Canvas
Size: 23.6 W x 31.5 H x 0.6 D in
Ships in a Box
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It's raining on the house of the white lady (oil on canvas) It is said that that house was all white, and of a lady who was never tired it is said in the city that he had a flock at home but I don't know if this story holds up it grazed all the grass around it and from there it was clear that it was a good morning but since the lady went away the house seems to have become haunted a flock of birds always passes at that hour as if the soul of the lady were right there, at that window, still… a white lace umbrella left as a gift to anyone who wants to pass by to stay a good day to graze his poor hungry flock that he had never been so alone now it's raining on that old white house and even the flock is now missing... only the shouting in the wind can soothe the memory of the old days that will never disappear We can notice a strong feeling of melancholy that the artist wants to convey with his work. The past time that has gone away, but it is as if it were imprinted in his mind and, surfacing in the vivid memory of the images of a specific situation, he describes some moments of real life... They are fascinating even for the mere fact that they are no longer there, that they can no longer be reached... they can only return to his thoughts and be modulated according to his mood... idealised..
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:23.6 W x 31.5 H x 0.6 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Italy.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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Italy
Oil painting on canvas is the technique I prefer, sometimes replaced by pastel on cardboard, but the stroke is always the same, the style is realistic. I choose these two techniques because the first one lends itself to the composition of the painting, because starting from an initial idea, it allows me to change the image from time to time, so it is a reflective technique that slowly brings me to the final result. It allows me to arrive, if I want, to the perfection of the figures, deciding the number of passes that you want to give. The second technique serves me to understand and see immediately the subject that will be depicted, as the pastel gives almost immediate results, without having to go over the areas already painted. My genre is a surrealistic figurative that tries to tell hidden stories and emotions. The story takes place either in dreamlike, evocative and surreal landscapes or in simple contexts, depicting individuals with their shadows. When I paint subjects in landscapes I carry out an introspective search of memory: the young subject is the protagonist. This occupies the main part of a scenery created with an old house sometimes ruined (according to a time that has now passed), a wild vegetation, enriched with symbolic objects and animals that have had a particular sense in that story. I try to project the viewer in a subconscious dimension, in his memory creating a surreal environment. Painting the characters with their shadows allows me to go beyond appearance, beyond the first glance. We see the protagonist in a certain pose, always thoughtful look, with behind a shadow that seems to be his physical shadow, but that instead projects something else, his feeling, his personal essence, the one that at first glance can not be perceived immediately, but that you understand going deeper, knowing the person, his experiences and his desires, fears, expectations. The realization of the works is always starting from photos of young subjects, I choose a context, and symbols, depending on the story I want to tell and then paint in one scene. The painting sessions are different: I try to give at least three passages to all the elements of the painting, sometimes, if I do not find satisfaction, I find myself reviewing even 5 times the protagonist subject, which must tell and therefore must be as credible as possible.
Artist featured by Saatchi Art in a collection
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