VIEW IN MY ROOM
United Kingdom
Painting, Acrylic on Paper
Size: 19.7 W x 27.6 H x 0.2 D in
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For as long as I can remember, I’ve been somewhat obsessed with painting/drawing faces. Throughout the past decade or so I’ve naturally become more gestural/expressive in the way I develop them. When I first started out way back, my ambition was to create ‘perfect’ (or as close to as possible) images that precisely resembled a sitter or subject. But on reflection, I therefore question as to whether I was then creating true ‘art’. It took a lot of life experience (rather than art school) to begin to understand what art really was/is and that over time naturally transformed my ambition from precise imagery to a desire to create visual work that only I can make (unique to myself and my life)… that I could never make again. Creating in the way that I do today, to me, ensures that each piece of work is uniquely one-off to that specific moment – and that moment alone. I’m only content with calling a painting (or drawing/however the ‘thing’ manifests in physicality) an ‘original’ if I believe I’ve achieved this to a significant degree. I feel that this installs something in their presence that allows them to feel alive, forever. I find it interesting that if you really observe my portrait work (most of them at least), the eyes don’t really look like eyes, the nose doesn’t really resemble a nose… etc. But still, the human mind acknowledges it as a person. I guess you can take this notion a step further with the simplicity of the ‘smiley face’ symbol ‘:)’. How we, on a global level, naturally register this as a face is pretty fascinating to me. I guess I’m instinctively working towards trying to create something almost as simple as that; whilst capturing the essence of the everyday person. Formlessness is a powerful thing/word if I really think about it. Although I’m talking about simplicity here, everything I have/am goes into creating these… it’s a battle far from simple. But the result (and process) makes me feel. I also hope that it makes the viewer feel something.
Painting:Acrylic on Paper
Original:One-of-a-kind Artwork
Size:19.7 W x 27.6 H x 0.2 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Green paints directly onto raw, unstretched canvas, working instinctively, without preamble or pause for thought. His earliest work was observational and figurative, with a kind of meticulous precision, but, having demonstrated this precocious skill, he felt free to cast-off formal technique and to work in a more expressive way, characterised by loose, vivid unpredictability. The first impression is of gestural vitality and rich painterly effect – bright colours merge into murky smudges; sharp definition blurs into misty formlessness. There are sweeping lines; scribbly detail; indistinct colour washes; paint drips, flows or clumps into crusty accretions. Suggestions of formal structure are quickly subverted. Amidst this abstract maelstrom there are hints of crude calligraphy, figuration and human faces – ambiguous, half-formed, partially erased. “The last decade has been about dissecting the human form in a process that is energetic, spontaneous and organic. I now find it more powerful to capture the essence of a person rather than to render an exact image. The paintings I make today are one-offs that I couldn’t replicate. They are unique to specific moments, authentic to me. I don’t look for or seek inspiration; I live my colourful life and allow that to guide the path for my practice.”
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