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KHJ L.A. Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 48 W x 30 H x 0.5 D in

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About The Artwork

KHJ (930 AM) is a commercial radio station that is licensed to Los Angeles, California. Owned and operated by Relevant Radio, Inc., the station broadcasts Roman Catholic religious programming as an affiliate of the Relevant Radio network. KHJ broadcasts at 5,000 watts, with a non-directional signal by day but using a directional antenna at night to protect other stations on 930 AM. KHJ's transmitter is triplexed to three of the six towers of KBLA (1580 AM), near the intersection of Sunset Boulevard and Alvarado Street in the Echo Park neighborhood of Los Angeles. Radio station KYPA (1230 AM) also uses two of KBLA's towers for its signal. KHJ's former towers at the intersection of Venice Boulevard and Fairfax Avenue in Mid-City were removed in February 2013. KHJ was a top 40 station from 1965 to 1980. The station switched to a country music radio format in 1980 and back to pop music in 1983. In 1986, KHJ changed its call letters to KRTH, adopting an oldies format as a sister station to KRTH-FM (101.1 FM). Three years later, the station was sold to Liberman Broadcasting who aired Spanish-language formats from 1990 to 2014, using the call letters KKHJuntil 2000, when it regained its original calls. 
 Boss Radio: In April 1965, programming consultant Bill Drake crafted KHJ's top 40 format. Drake hired program director Ron Jacobs, who had created formats in Hawaii and California. The format, known as "Boss Radio", featured a restricted playlist and restrained commentary by announcers (although a few, such as Robert W. Morgan, Charlie Tuna, Humble Harve Miller, and The Real Don Steele, were allowed to develop on-air personas). Other DJs from this era (1965–1980) included Roger Christian, Gary Mack, Dave Diamond, Beau Weaver, John Leader, Sam Riddle, Johnny Williams, Frank Terry, Johnny Mitchell, Tommy Vance, Scotty Brink, Steve Clark, Bobby Tripp, Tom Maule, and Bill Wade. One defining characteristic of Boss Radio was the jingles by the Johnny Mann Singers.[19] Drake's format spread throughout North America, bringing high ratings to KFRC in San Francisco, WFIL in Philadelphia, KGB in San Diego, WQXI in Atlanta, WRKO in Boston, and CKLW in Windsor, Ontario, Canada (serving Detroit). Drake and his business partner Gene Chenault brought many of their announcers from the other Boss stations, using those stations as a farm system to develop talent. KHJ's call-in request number used the Los Angeles area code 213 and a 520 exchange, followed by the current year. During the late 1970s and early 1980s, the station competed with three other local stations with similar formats: KFI, KTNQ, and Tijuana-based border blaster XETRA-AM (The Mighty 690). KHJ also competed with three "soul radio" stations serving the Los Angeles radio market: KDAY, KGFJ, and, from Rosarito, Mexico, XERB. In mid-1970, a KHJ contest led to a fatality and a large legal judgment against RKO General. That summer, the station ran a series of contests known as the "Super Summer Spectacular". In the contests, the Real Don Steele drove a red car to a particular area and announcers encouraged listeners to find him with clues as to his whereabouts. The first person who found Steele and fulfilled a condition received a cash prize and was interviewed by Steele. The conditions varied, from answering a question to possessing certain items of clothing. An example of an on-air clue was: "The Real Don Steele is moving into Canoga Park — so be on the lookout for him. I'll tell you what will happen if you get to The Real Don Steele. He's got twenty-five dollars to give away if you can get it ... and baby, all signed and sealed and delivered and wrapped up." At the time, KHJ had the largest teenage audience in the Los Angeles area (48 percent, compared to its nearest competitor's 13 percent). On July 16, 1970, two teenagers, following Steele in separate cars, drove at speeds up to 80 miles per hour (130 km/h) so they could be closest to him when the next clue was announced. One of the teenagers forced another motorist, 32-year-old Ronald Weirum, off the road; Weirum was killed when his car overturned. Weirum's wife and children filed a wrongful-death suit against both teenagers, the manufacturer of Weirum's car, and RKO General. One of the teenagers settled the case before the trial for the limits of his insurance policy. A jury found in favor of the car's manufacturer, but found both the second teenager and RKO General liable for the accident and awarded the plaintiffs $300,000 in damages. RKO General appealed to the California Supreme Court, which upheld the verdict in 1975. The higher court ruled that KHJ negligently created an undue risk to the public by causing a situation in which its listeners were encouraged to race on the roads, and that there was sufficient evidence for the jury to find that the contest's risk of harm to the public (including Weirum) was foreseeable. 
 Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:48 W x 30 H x 0.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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