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Acrylic and marker on rough 110 gsm Fabriano paper.
 
As with many of my works on paper this painting has a worn appearance in areas due to being heavily worked and washed. Tears and perforations are common and form an integral part of the general aesthetic of my pieces. I tend to patch them over on the reverse side of the painting using tape, paper or ribbon.  

This piece is set in an ultra-modern, bespoke, plexiglass box frame. Handmade in Italy, the plexiglass filters damaging UV rays, and allows light to spill in evenly from all sides.

Initialled and dated on the front. Signed, titled, dated and stamped on the reverse. However due to framing this is not visible.
Acrylic and marker on rough 110 gsm Fabriano paper.
 
As with many of my works on paper this painting has a worn appearance in areas due to being heavily worked and washed. Tears and perforations are common and form an integral part of the general aesthetic of my pieces. I tend to patch them over on the reverse side of the painting using tape, paper or ribbon.  

This piece is set in an ultra-modern, bespoke, plexiglass box frame. Handmade in Italy, the plexiglass filters damaging UV rays, and allows light to spill in evenly from all sides.

Initialled and dated on the front. Signed, titled, dated and stamped on the reverse. However due to framing this is not visible.
Acrylic and marker on rough 110 gsm Fabriano paper.
 
As with many of my works on paper this painting has a worn appearance in areas due to being heavily worked and washed. Tears and perforations are common and form an integral part of the general aesthetic of my pieces. I tend to patch them over on the reverse side of the painting using tape, paper or ribbon.  

This piece is set in an ultra-modern, bespoke, plexiglass box frame. Handmade in Italy, the plexiglass filters damaging UV rays, and allows light to spill in evenly from all sides.

Initialled and dated on the front. Signed, titled, dated and stamped on the reverse. However due to framing this is not visible.
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VIEW IN MY ROOM

L'incendio interiore - 2018 Painting

Denholm Berry

Italy

Painting, Acrylic on Paper

Size: 13 W x 18.8 H x 0.1 D in

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SOLD
Originally listed for $1,550
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277 Views
7

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About The Artwork

Acrylic and marker on rough 110 gsm Fabriano paper. As with many of my works on paper this painting has a worn appearance in areas due to being heavily worked and washed. Tears and perforations are common and form an integral part of the general aesthetic of my pieces. I tend to patch them over on the reverse side of the painting using tape, paper or ribbon. This piece is set in an ultra-modern, bespoke, plexiglass box frame. Handmade in Italy, the plexiglass filters damaging UV rays, and allows light to spill in evenly from all sides. Initialled and dated on the front. Signed, titled, dated and stamped on the reverse. However due to framing this is not visible.

Details & Dimensions

Painting:Acrylic on Paper

Original:One-of-a-kind Artwork

Size:13 W x 18.8 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Milan-based British artist Denholm Berry approaches portraiture with an innovative and unconventional methodology. Blending psychological spaces with expressive physicality, the figures presented in the works are at once anonymous and inviting – emotions and identities are open to the viewer’s interpretation. “My hope is that, by filtering concepts in this unusual way, my obscurations will become paradoxically revealing.” Denholm’s unique artworks have been featured in many Saatchi Art collections and are held in private collections worldwide.

Artist Recognition

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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