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lead me II Painting

Edward Onsoh

Ghana

Painting, Acrylic on Canvas

Size: 48 W x 84 H x 2 D in

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$4,750

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About The Artwork

Is a figurative painting of simmering spots of colours suggesting a seated figure with the back facing the audience, the head wrapped in a cloth in the shades of blues, the background has the shade of reds dominating. The painting is highly textured created with the help of a painting knife and brush. Being one of the many series the artists is currently exploring, the tragedies that comes after stereotype and prejudice. Which he identifies as hidden tragedies and is using this and many other works of art to highlight these hidden tragedies and also create awareness to his audience. The painting of the suggested nude seated figure with the head wrapped will lead the audience into an obsession either for or against, and also leaving the audience to question gender, identity, sexuality. The artist believes that once a subject is identified it has been stereotyped and the effects can either lead to a positive or negative energy.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:48 W x 84 H x 2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I aim to build a more inclusive world, changing stereotypes, and giving a voice to the voiceless. Born in Ghana 1990, I began as a portrait artist right after High school to sustain my craft and in 2012 I became a studio artists for Samsung Ghana. I then turned to making figurative abstract paintings in acrylic on Canvas, I developed a distinctive pointillist style and blending technique that exudes a realistic and dimensional quality and was included in the Paint Sculpt annual jury exhibition at Takoradi Technical University, Ghana, 2015. The painting technique evolved through my personal experience of having a tradition animist priest as a father and a Christian mother sharing the same bed peacefully which is an example of two like-poles meeting as the media in Ghana has influenced many Ghanaians to demonize the indigenous traditional practices and is gradually fading away. After some observations and education I came to understand how important it is to preserve the heritage and great knowledge behind these practices which led this exploration of bringing them inside my painting. I also notice how we are separating from nature due to unnatural way of life causing unnatural disease psychological diseases, behavioral pattern, health habits. Wearing dreadlocks has exposed me to hidden tragedies one wouldn’t believe they exist as it’s subjected to people with mental illness, drug addiction, or violence. The use of simmering spots of colours in my paintings is just to show how beautiful people with differences, culture, race, can coexist in a society. Adowa being one of the first to exhibit highlights the Asante culture as is where I was born and race. Most of my colleagues gave up the dream to become artists and focused on pursuing something else in other to survive as the government funding for arts and culture stays within the tourism board and music. I turned myself into an entrepreneur to keep me going finding ways to sell my art and at the same time exploring different mediums. I had my first camera to document my paintings as I saw how important it was to have documentations as an artist with little knowledge in photography I was finding it difficult to film my works I wanted.

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