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Let Our Children Live Painting

Karma Kitaj

United States

Painting, collage on Paper

Size: 24 W x 24 H x 1.5 D in

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$1,800

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About The Artwork

My figurative work leans on artists such as Salvador Dali, Hyman Bloom. This is part of a series of 5 paintings depicting the pandemic in 2020. The series is called “Distorted Reality.” This one is about the impact on children of the pandemic in terms of parental anxiety, loss of jobs, loss of “play dates”, loss of loved ones, school closings, upsurge in domestic abuse. I hope you will visit my site to locate the other pictures in this series. I used the ancient painting technique of encaustic, which means to “burn in.” first used in the 5th C. BC. I collaged children’s faces that I had sketched in charcoal on Chinese art paper plus pieces of tissue and printed art papers to a wood platform. Then I applied layers of hot beeswax mixed with a hardening agent called damar resin, which creates a more durable surface and gloss. I painted certain parts of the surface with pigmented wax. There is also some gold foil and bits of encaustic monoprints that I had painted on a Hotbox with art paper. Encaustic paintings tend to dull over time, but a simple rubbing with the heel of one’s hand restores its natural luster if you don’t want the matte look. In floating frame, with black edge and side, ready to hang.

Details & Dimensions

Painting:collage on Paper

Original:One-of-a-kind Artwork

Size:24 W x 24 H x 1.5 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Making art is an encore career for me. Years ago when I hosted a community access TV show called “Alivelihood:New Adventures As We Age,” I interviewed an artist who had been a German professor. She invited me to her art studio. I loved painting and collaging with her immediately and never stopped painting. Soon I discovered the ancient , now popular medium of encaustic, hot pigmented wax, and was enraptured with the possibilities. I studied with many sterling artists learning to make mono prints and paintings with the wax and a torch to burn each layer to the one beneath. I attended workshops at the International Encaustic Conference in Provincetown each spring. Next, I added acrylic and mixed media to my repertoire. My most recent paintings are created with oil mixed with cold wax and sometimes a medium to increase flow and transparency. The subject matter that intrigues me lately is painting the abstracted, distorted human figure, often with backgrounds depicting a fantasy room or landscape. My life outside of art encompasses many wonderful things: living in the country in Massachusetts with my husband of 40+ years and 2 adorable rescue dogs from Mexico, dancing Argentinian tango and studying with one of the world's most accomplished teachers, still riding my horse a little bit, wintering in San Miguel de Allende, MX to name a few.

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