VIEW IN MY ROOM
Netherlands
Painting, Oil on Aluminium
Size: 33.1 W x 48.8 H x 1.6 D in
Ships in a Crate
Shipping included
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Utopie- Dystopie. Where are we? What are we doing here? Are we alone? Whither does the leafy path lead? Does it actually lead anywhere? The environment invites you to enjoy the view. From the flowery bushes, the warming hues of life and the lush, fresh green grass. It invites you to reflect on the days and moments that lie ahead. The certainty of a horizon that lies in the future, however vague it may sometimes appear. Oh, just 'relax and be for a while'. Also nice. Watermixable oils, 80 cm b x 120 cm h x 0.4 cm d, unicum, 2023, Signed. Ready to hang (floating frame light blue chalpaint wood). - Publication Few Hearts Like Theirs ( pages 44-45). (Private version on 24 panels) [https://sites.google.com/view/linking-worlds/home] [https://issuu.com/magdabr/docs/linking_worlds_friend_2] - Exposition Galerie Krek Wak Wou Bocholt BE May 2023 - Exposition Collective Academy Lommel June - August 2023
Painting:Oil on Aluminium
Original:One-of-a-kind Artwork
Size:33.1 W x 48.8 H x 1.6 D in
Frame:Other
Ready to Hang:Yes
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Netherlands.
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Netherlands
Mieke van Os is a multidisciplinary artist with a focus on mixed media constructions. She is increasingly working with things she finds in her environment, also from a sustainability point of view. Remnants of a renovation, residual products of casting materials, pieces of stone or wood, strips of textile. It often results in a material treatment or solution that is not immediately obvious and thus gives individuality to her work. She is looking for an unconventional but traditional shape with a twist. She also looks for composition in her sculptures, the separation of surface and color, as she also does as a painter. A way of working to study form more carefully, visually explore the new topography and rediscover familiar materials. In her work she wants to express something intangible, an atmosphere, a feeling. Her sources of inspiration are very variable and versatile. Whether a work was made 500 years ago or now, she borrows elements from it to do something with it. Ideas also come from the production itself. The work often has a kind of rules and chaos at the same time. At first glance, her work is very diverse. On closer inspection, there is definitely a connecting line. An expression of how the mind reacts to things. Her motto is: “The horizon is infinite, it only knows a limit in ones head. Her goals are to further develop and explore her techniques and to experiment with (sustainable) materials, colors, shapes and sizes (!), in a combination of sculpture, painting, ceramics and textiles; she also wants to focus more on research in working with plant remains and other biomaterials.
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