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France
Painting, Acrylic on Canvas
Size: 31.9 W x 45.7 H x 1.2 D in
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* Painting on streched coton canvas 50P / 116 H x 81 W x 3 cm (45,66 H x 31,88 W x 1,18 in). * Ships in a box * 'Organic New Year' is my first painting of the year 2021. I used the colors inspired of my own feelings for this new year and also the same than the Pantone' s colors of the year 2021. As it is written, the yellow and the grey are sign of resilience and hope. "A message of fearless happiness, the ambitious union of PANTONE 17-5104 Ultimate Gray + PANTONE 13-0647 Illuminating is synonymous with hope. We need to feel that everything will clear up; this is essential to the human mind." *** *'Organic New Year' est ma première peinture de l'année 2021. J'ai utilisé les couleurs inspirées de mes propres sentiments pour cette nouvelle année et aussi les mêmes que les couleurs Pantone de l'année 2021. Comme il est écrit, le jaune et le gris sont signe de résilience et d'espoir. "Un message de bonheur intrépide, l’union ambitieuse de PANTONE 17-5104 Ultimate Gray + PANTONE 13-0647 Illuminating est synonyme d’espoir. Nous avons besoin de sentir que tout va s’éclaircir ; cela est essentiel à l’esprit humain."
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:31.9 W x 45.7 H x 1.2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:France.
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France
The work of Marijah Bac Cam questions the Memory of the Living through the Languages of the Feminine Principle (creative principle of Nature) by means of drawing, painting and increasingly photography and video. What does this chaos of fullness and emptiness mean, enhanced with dots, curves, golden wefts and gestural writing? In the artist's painting we perceive a Living being organized before our eyes, starting with the diffusion of black ink. These dark masses mingle with another color to symbolize the different elements, air, water, fire, earth, ether. Suddenly an organic mesh forms on the surface, connected to the misty depth. It is a question of reversal, as if to lead our gaze towards an inner world, that of the organs, tissues, vessels of an unrepresented body. These drawings express more sensibly an intuitive word in a vegetal and vibratory atmosphere that are our buried memories. They are the representation of the original past in a form that is no longer mental but metaphorical. Graffiti sometimes float here and there, like a palimpsest as if to inscribe a forgotten verbal dimension and question the meaning of forms. Her work evokes images that are almost figurative but difficult to identify. It's a question of everyone's point of view, seen from the sky or underwater, in macro or even in a wide shot. This collective memory seems to define and tell terrestrial and extra-terrestrial landscapes. Does Nature have a universal language that hides in our memory?
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