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Retraced Steps Painting
United Kingdom
Painting, Acrylic on Canvas
Size: 27.6 W x 27.6 H x 1.7 D in
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About The Artwork
Walking informs my practice and through painting I examine my understanding of our place in the world we live in. I experimented with liquid acrylics and the materiality of un-primed cotton duck. The ephemeral quality of delicate and robust details in vegetation that I come across when outdoors where the starting point for my work. I am looking for wilderness but humanity is present in most places. The artwork consists of two pieces of canvas stitched together.
Details & Dimensions
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:27.6 W x 27.6 H x 1.7 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Sandra Chin is a contemporary artist based in the South West of England. Following a career change in 2016, Sandra took up an opportunity to start a Masters in Fine Art at Bath Spa University from where she graduated in 2018. Her work has been exhibited and sold in the UK since 2017. 'My paintings are a response to a dialogue; conversations between the landscape and humanity, time and the elements. I like to explore the landscape and the vegetation that lies within its perimeter. Being outdoors, physically and mentally immersing myself in nature is very important to me. Traversing different terrains, seeing the landscape transformed by the elements and seasons inspire the start of new ideas. Dynamics and tensions between humanity & nature are often a recurring theme in my works. To me a painting begins with a photograph or drawing to hold a moment or thought or memory. Collected moments are translated into intuitive, gestural marks and expressive use of colour, led by the emotional response of gathered experiences.'
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