VIEW IN MY ROOM
United Kingdom
Painting, Oil on Canvas
Size: 24 W x 30 H x 3 D in
Ships in a Crate
Shipping included
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Showed at the The Other Art Fair
Having lived in several areas across Canada, I became used to the drastic changes in weather from province to province. The west coast with its rain and humidity, the east coast with rain and cold, and central Canada with its blistering heat in summer and windchill from hell in the winter months. The subject of this painting was experienced on many winter days looking out of my window, towards the fields next to the old farmhouse. The high winds throughout the day had pushed the snow into wave like patterns. Snowdrifts are common in Ontario, especially south western and northern Ontario, where a slight breeze can turn into a high wind, and cause snow drifting and puffing up in front of a driver. The pall of winter driving through afternoon rush hour...navigating through traffic, as the cars in front of you slip and slide through snow drifts, is an unsettling feeling. However, you can remain comforted, as this image has the viewer looking outside from being safe and warm indoors, whilst watching the north light cast violets and blues across the snow 'waves'.
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:24 W x 30 H x 3 D in
Frame:Brown
Ready to Hang:Yes
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Canada.
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United Kingdom
My painting practice has been split into two distinctly different processes: Firstly, traditional painting on canvas displayed on the wall; and secondly, the creation of hybrid painting which focuses on process and the materiality of acrylic/latex paint. The latter uses steel mesh rather than canvas and is formed into large scale 3-d floor paintings. The former process, traditional painting on canvas, is my current practice. My current research involves collecting personal interviews from friends and family about their memories of childhood, coupled with tangible materials such as photographs, postcards, letters, diaries, maps, vintage objects etc. My research is then collated to construct a contextual framework, a narrative that will become a series of painted works. The work is testimony to preservation and/or deterioration of memory through time, the impact of trauma, and the surrounding environment. My research has revealed a drastic polarity between my own memories of a past event, and that of others who experienced the same event. This series of figurative paintings, which is still work in progress, infers a state of suspension; a presence that is captured within a memory, or the perception of what that memory was. My first series of paintings called Quell 1 and Quell 2, demonstrates the beginning of my exploration into the theme of memory, and the compositional challenges that are presented to me as a contemporary painter.
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