VIEW IN MY ROOM
United Kingdom
Painting, Acrylic on Canvas
Size: 39.4 W x 39.4 H x 2 D in
Ships in a Crate
Artist Recognition
Showed at the The Other Art Fair
Artist featured in a collection
For some years the artist made ends meet by working as a bookie in various bombed-out toxic-mutant hell-pits in the north of Birmingham. This particular painting captures a generic scene of one of the many daily slave races witnessed first hand by the artist that were fought out between brain dead zombified flesh malfunctions for the entertainment and gambling needs of the islands large community of work-shy meat-lump crimes-against-nature fat-draggers. The races were often simply formed of a start and end point with no fixed course and stretched across entire cities drawing huge crowds of slime-folds, disembodied tongue and scream gob hungry for chaos, car crash mayhem and other creature's misery. Subtly referenced within this particular painting are the start and finish points of the seasons most famous race, Castle Ball Bag and the Church of Saint Fuck Face. Made in acrylic and oil pastel on canvas in 2012, the original painting of the aforementioned print was created whilst the artist was based in a studio once a skin-processing factory in the Caldmore area of Walsall in the West Midlands. A former red light district, Caldmore is now locally known for its abundance of flesh-dragging mutant-pussbag slug-puffer gravel-sucking creature-blobs and near nightly riots fought viciously between various and multitude escaped fast food scraps in its short but charming-if-you-are-lacking-eyeballs high street. Also worthy of mention and a known rich source of inspiration to Carp is the nearby Church of St. Plorp atop a hill of medieval crisps which overlooks the town and where after a long days painting the artist often attended midnight shoe burnings and services involving the offering of sacrificial ham to a broken telly reputed to cry milk every time somebody bought a packet of value sausages from Poundland, though in a purely observational role it is important to note. Carp Matthew is now based in London, though bares the scars of said time via his art and disturbingly frequent references to ham. This painting is made on a 100x100cm canvas, is unframed and does not include fixtures for hanging.
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:39.4 W x 39.4 H x 2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
My work is about nothing. It is about yearning. It is about the lunatic pursuit of purpose and meaning, in empty spaces and dead ends, in brain-bending fantasy and fanatic ideology, be it religious, political, occult or otherwise. It is about hiding and lying and the myth of progress. The figures I paint are lost, in rooms without doors and voids without walls, beyond the vaguest glimmer of reality with no hope of return, exactly as they would wish it were they ever again able even to perceive the notion. They are symbolic of this moment, its total capitulation to impenetrable narcissism and shameless indulgence of base instinct oblivious to consequence, to the hell-bent suicide of consumer capitalism, their mutations manifestations of dying spirit and sickness of soul, of their owners repressed fears, inadequacies, distant desires and inescapable solitude. They long for what they can never have without deceiving themselves. Worse than tragic, their movements are meaningless. My work is a meditation on this predicament, every piece either an attempted exorcism of futility or a desperate grasping at fleeting beauty and momentary loss of self-conciousness to said pleasure. A tangible solidification of the creeping nihilism that permeates every atom of this age, it is a view of life as mere spectacle or aimless chaos and an exploration of the minds ceaseless rejection of such. And ultimately it is about how it feels to exist without faith in anything beyond love. My work is about nothing.
Handpicked to show at The Other Art Fair presented by Saatchi Art in London, London, London, London
Artist featured by Saatchi Art in a collection
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