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Inspired by the work of Frank Zappa as a composer, this work features sound at the very time and place of it's emergence. It's an artistic experiment, of course, trying to follow the phenomenological theory of sounds being located at or near their place of origin. This location is the keyboard of Zappas late instrument, the Synclavier, that is to say the effective area where the fingertips touch the key's plastic. The music I was working with came from an album called "Jazz from Hell", and the images in my mind were driven by impressions from the Zappa-documentary "Peefeeyatko". The work's support is of medium density fiberboard. The work is ready to hang due to a simple cabinet mount inserted on the backside.
Inspired by the work of Frank Zappa as a composer, this work features sound at the very time and place of it's emergence. It's an artistic experiment, of course, trying to follow the phenomenological theory of sounds being located at or near their place of origin. This location is the keyboard of Zappas late instrument, the Synclavier, that is to say the effective area where the fingertips touch the key's plastic. The music I was working with came from an album called "Jazz from Hell", and the images in my mind were driven by impressions from the Zappa-documentary "Peefeeyatko". The work's support is of medium density fiberboard. The work is ready to hang due to a simple cabinet mount inserted on the backside.
Inspired by the work of Frank Zappa as a composer, this work features sound at the very time and place of it's emergence. It's an artistic experiment, of course, trying to follow the phenomenological theory of sounds being located at or near their place of origin. This location is the keyboard of Zappas late instrument, the Synclavier, that is to say the effective area where the fingertips touch the key's plastic. The music I was working with came from an album called "Jazz from Hell", and the images in my mind were driven by impressions from the Zappa-documentary "Peefeeyatko". The work's support is of medium density fiberboard. The work is ready to hang due to a simple cabinet mount inserted on the backside.
Inspired by the work of Frank Zappa as a composer, this work features sound at the very time and place of it's emergence. It's an artistic experiment, of course, trying to follow the phenomenological theory of sounds being located at or near their place of origin. This location is the keyboard of Zappas late instrument, the Synclavier, that is to say the effective area where the fingertips touch the key's plastic. The music I was working with came from an album called "Jazz from Hell", and the images in my mind were driven by impressions from the Zappa-documentary "Peefeeyatko". The work's support is of medium density fiberboard. The work is ready to hang due to a simple cabinet mount inserted on the backside.
Inspired by the work of Frank Zappa as a composer, this work features sound at the very time and place of it's emergence. It's an artistic experiment, of course, trying to follow the phenomenological theory of sounds being located at or near their place of origin. This location is the keyboard of Zappas late instrument, the Synclavier, that is to say the effective area where the fingertips touch the key's plastic. The music I was working with came from an album called "Jazz from Hell", and the images in my mind were driven by impressions from the Zappa-documentary "Peefeeyatko". The work's support is of medium density fiberboard. The work is ready to hang due to a simple cabinet mount inserted on the backside.
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Christian Kabuß

Germany

Painting, Oil on Wood

Size: 27.4 W x 27.4 H x 0.8 D in

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337 Views
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About The Artwork

Inspired by the work of Frank Zappa as a composer, this work features sound at the very time and place of it's emergence. It's an artistic experiment, of course, trying to follow the phenomenological theory of sounds being located at or near their place of origin. This location is the keyboard of Zappas late instrument, the Synclavier, that is to say the effective area where the fingertips touch the key's plastic. The music I was working with came from an album called "Jazz from Hell", and the images in my mind were driven by impressions from the Zappa-documentary "Peefeeyatko". The work's support is of medium density fiberboard. The work is ready to hang due to a simple cabinet mount inserted on the backside.

Details & Dimensions

Painting:Oil on Wood

Original:One-of-a-kind Artwork

Size:27.4 W x 27.4 H x 0.8 D in

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Christian Kabuß is an internationally established German artist and musician. He studied Medicine at the University of Rostock, then went on to Kunsthochschule Berlin-Weißensee, Accademia di Belle Arti di Venezia and Moholy-Nagy University of Arts and Design Budapest to practice Fine Art. The artistic language within his paintings is deeply linked to a phenomenological approach to bodiliness, the freedom of subconscious artistic creation, and the theoretical and practical considerations of Design. Kabuß has exhibited in Germany and abroad. His works are present in regional, national and international collections. It is his aim to work as honest as possible, and he tends towards imagery, which is embedded in Lebenswelt, and sound. As a pianist, he performs small intimate concerts. His music is soft, sometimes freely improvised and portrays a sense of a parallel-world. Exhibitions in Italy, Sweden, Germany, China, and Japan.

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