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Stephen Biesty's Cross-Sections Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 60 W x 40 H x 1.5 D in

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About The Artwork

Stephen Biesty (born 27 January 1961) is a British illustrator. Biesty is considered a master of cross section. He frequently collaborates with Richard Platt, who writes the text for the majority of his books, which have covered a wide range of informative cross sections aimed at adults and children, all published by Dorling Kindersley. Biesty's work has found great success, notably his Incredible Cross Sections (1992) is an international bestseller with over one million copies in print worldwide. Other Biesty books written by Platt include Man-of-War (1993), Castle (1994), Incredible Pop-Up Cross-Sections (1995), Incredible Explosions(1996), Incredible Everything (1997), Incredible Body (1998) and Absolutely Best Cross-Sections Book Ever (1999). Since 1999 he has also illustrated the Millennium Dome Pop-up Book (1999), Gold: A Treasure Hunt through Time (Meredith Hooper) (2002), and Rome (Andrew Solway, Stephen Biesty) (2003). Castle was later made into the educational video game Castle Explorer, as was Man-of-War which was made into Stowaway! A tour of an 18th century Man-of-War. Some have compared Biesty's Incredible Cross Sections to fellow British illustrator Martin Handford's Where's Wally? series; for instance in Man-of-War there is the challenge of spotting the stowaway. Biesty uses paper, pen, ink and water colour paints. He never uses a ruler, drawing everything freehand. Biesty describes his work as follows: "There's really no end to the amount of detail you can include. I don't use a computer and I don't think I ever will. I draw with a pencil initially and then I work on top of that with ink, usually a Rotring needle-point pen, but sometimes I use a fine brush which gives the line a little variety, a little texture. Then of course I add colour and atmosphere with watercolour washes." "I always put figures in. As an illustrator you quickly catch on to the fact that nobody's going to look at it if there's no human interest. When you start including figures, you can begin to create a sense of atmosphere. You can show how people relate to a space and you can explore the realities and practicalities of the place, how people lived, how they adapted to their surroundings, how they slept, how they ate.” Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:60 W x 40 H x 1.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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