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Summertime - Adelaide Hills Painting

sheila whittam

Australia

Painting, Oil on Canvas

Size: 55 W x 37 H x 3 D in

Ships in a Crate

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This artwork is not for sale.
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About The Artwork

I worked on idea after reading Anselm Keifer after thinking more about doing oils just with a palette knife. It was summertime and the hills surrounding me were bleached white as is normal in our part of the world. It is three canvases and is framed in natural Tasmanian Oak light colour.

Details & Dimensions

Multi-paneled Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:55 W x 37 H x 3 D in

Number of Panels:3

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Biography I work as an artist with an interest in mixed media, contemporary, non objective works - that are usually very colourful. A non representational approach allows me and the viewer to swim along into the work to find our own emotional journey. Although that sounds elusive it is a journey essential in creativity -more so that one never tires of engaging the new discoveries in these many layered pieces. The finished work is then simply mounted on raised cradled panels that do not require formal framing. Background: Sheila was a daughter of parents who were working class - coal miner and weaver, she was born and raised in Burnley, Lancashire a town in the centre of the industrial revolution north of England. Art was introduced to her from a young age by her bachelor uncle in the form of drawing the figure. Creativity remained in her mind and she was dreamy about art in school, thinking about the possibilities of being able to learn more about being an artist. At the age of 17 she married and within four years of marriage migrated to Sydney, Australia, where she began her formal education in art. Her dream was slowly emerging in her new home country half a world away from home. She then ventured into art tutoring for Tafe to begin with, then later she became Gallery Director in Bridgewater, South Australia where she set forth to curate regular exhibition by notable artists. Art practice and studio work about her own ideas continued along side of her gallery work ever preparing her work for a continuing round of solo exhibitions which are listed in her curriculum vitea as follows.

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