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This composition continues the practice of repetition and mindfulness central to the construction and aesthetic of the work in this series. For each piece there is first a period of meditation, usually 30 minutes, immediately followed by the execution of the work. For Sunyata diamond sutra) there was the usual 30-minute meditation, after the strips were cut, 1 breath per cut, cut free hand. There were no breaks while creating the piece except to change the blade in the knife. The period of work was 42 minutes. For the creation of this medium large scale work, there was a fairly large amount of mental and physical endurance required to make each cut without error and to finish the work without a break. Future work similar to this piece will see even larger pieces created with different compositions, the idea being to extend the physical and mental endurance required for the practice to achieve a transcendent meditative state. 

The title is based on one of the Buddha's teachings called The Diamond Sutra.
This composition continues the practice of repetition and mindfulness central to the construction and aesthetic of the work in this series. For each piece there is first a period of meditation, usually 30 minutes, immediately followed by the execution of the work. For Sunyata diamond sutra) there was the usual 30-minute meditation, after the strips were cut, 1 breath per cut, cut free hand. There were no breaks while creating the piece except to change the blade in the knife. The period of work was 42 minutes. For the creation of this medium large scale work, there was a fairly large amount of mental and physical endurance required to make each cut without error and to finish the work without a break. Future work similar to this piece will see even larger pieces created with different compositions, the idea being to extend the physical and mental endurance required for the practice to achieve a transcendent meditative state. 

The title is based on one of the Buddha's teachings called The Diamond Sutra.
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Sunyata (Diamond Sutra) Painting

Kurtis Brand

United States

Painting, Textile on Canvas

Size: 34 W x 60 H x 2 D in

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$3,000

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301 Views
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About The Artwork

This composition continues the practice of repetition and mindfulness central to the construction and aesthetic of the work in this series. For each piece there is first a period of meditation, usually 30 minutes, immediately followed by the execution of the work. For Sunyata diamond sutra) there was the usual 30-minute meditation, after the strips were cut, 1 breath per cut, cut free hand. There were no breaks while creating the piece except to change the blade in the knife. The period of work was 42 minutes. For the creation of this medium large scale work, there was a fairly large amount of mental and physical endurance required to make each cut without error and to finish the work without a break. Future work similar to this piece will see even larger pieces created with different compositions, the idea being to extend the physical and mental endurance required for the practice to achieve a transcendent meditative state. The title is based on one of the Buddha's teachings called The Diamond Sutra.

Details & Dimensions

Painting:Textile on Canvas

Original:One-of-a-kind Artwork

Size:34 W x 60 H x 2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Kurtis Brand is a multi-disciplinary artist. He uses art and music as mediums, and his work is a meditation practice. Brand expresses in art what he realizes through meditation. "I feel that this world we occupy is on the brink of extreme change and it is our job as citizens of this planet to make a positive stand environmentally, emotionally, and intellectually and contemplative practice is essential to help our culture evolve into the potential of kindness, love, compassion, and empathy." This part of his work attempts to express the connection we have as people and the oneness of all sentient beings. For the last decade, he has lived in New York, Guatemala, San Francisco, and Connecticut amongst and passionately absorbed in a culture of vast extremes which lends a poetic, immediate and visceral quality to his work. The quotidian material culture he interacts with becomes the inspiration for his work. Materials like volcanic ash from the active and violent volcano, corn masa, the dough that is used to make tortillas that provides sustenance to an extremely impoverished nation, natural plant dyes, upcycled reused denim fabrics, sustainably farmed wood for my frames, natural twine made from the maguey cactus, concrete and rebar are all material aspects that interest him.

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