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the kids next door Painting

Jessica Moritz

Israel

Painting, Acrylic on Canvas

Size: 38.6 W x 38.8 H x 1 D in

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About The Artwork

the kids next door, witness of the wheaptaste project, 2018, acrylic on canvas In my studio area, there are many other studios, artists, people working, crafters, woodworkers, small business, and sometimes families. now that i’ve been there a while, i’ve noticed children laughing, playing, all colors mixing, interactions with each other. (my work is mainly focus on color and pattern interactions) so i decided to make the environment look more like them, and reflect the energy that they were giving to the space. i started by painting 34 wheat pastes of kids on swings based on RGB color palette, and interactions. The installations of all of them took me 2 nights. then i thought, all of them by the end of summer will be gone. let’s do a witness of this project to keep in mind this intention. so i did two paintings that were reflecting this idea but also could interact with people with the light.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:38.6 W x 38.8 H x 1 D in

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French-Israeli artist, lives and works in Tel Aviv. Graduated from the fine arts of Paris (ENSBA),LVMH young artist award 2006, TAKASAGO prize 2008.  She believes that order in chaos leads to an equilibrium of harmony. Jessica ’s corpus of art is an infinite voyage. Her calling never discovers a termination. Light is an exceptional commodity for her, the infinite evolution of colors, untangible moment of grace, and interactions with architecture. her process starts by translating this reflection and materialize them in shapes, lines and color harmonies She builds  utopian architecture (mindscape) where she unveils impossible geometry. Her art-objects are keys to new dimensions, a new approach of colors. the structures display optical illusion that distract us from rational thinking and logic. Her art is inspired by former Bauhaus artists like Josef Albers. Jessica lives in Tel Aviv, where the traces of this movement are still to be found in the city architecture. Albers inspired Moritz to consider herself profound with the theory of color. Her inquiry led to an inspirational mission to flourish a very own attitude to this optical material.  She believes in a sustainable way of producing her art. In consideration of climate change, she reclaims materials to use the existing. She gathers material on her trips and transforms them during a magical process into a new purpose. She tries to avoid a replacement out of senseless consumerism.

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