view additional image 1
View in a Room ArtworkView in a Room Background
19 Views
2

VIEW IN MY ROOM

The old fisherman Painting

Ines Klich

Germany

Painting, Acrylic on Canvas

Size: 39.4 W x 47.2 H x 0.8 D in

Ships in a Crate

info-circle
$2,770

check Shipping included

check 14-day satisfaction guarantee

info-circle
Primary imagePrimary imagePrimary imagePrimary imagePrimary image Trustpilot Score
19 Views
2

Artist Recognition

link - Featured in the Catalog

Featured in the Catalog

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

The painting is from a series of Belgian fishermen that I painted over a whole year, it was the intensity of the faces that immediately touched me deeply. Marked by years at sea and alcohol, faces that tell stories of storms and gout. They reminded me of my friends from Pütt in the Ruhr area, where I grew up. Honest hard workers, as we say. There, work is not just work, but a way of life. They live underground or on the high seas, where your life is in God's hands, as they say, the myth of the fisherman is one of the types of professions and not only since Jesus of Nazareth, the untamed man, at the mercy of the laws of nature, the possibility and Need to connect with your own instincts and self-healing powers after two years of project study at the Academy of Fine Arts. In Kolbermoor I felt mature enough to paint the emotions and the stories that these faces tell. And yet it took some time to get this project started. It was all very emotional for me, as were the many years of learning and the fact that I had to assert myself on the art market as an artist without an academic degree. Ultimately, the realization that all of this has more to do with me than I wanted to admit to myself - these long-out-of-fashion, unpolished, unyielding, free characters that pulled me into their bond. And so I spent weeks, months and finally more than a year with Yves, Charles Julian, Ramond and the others. The large formats are painted exclusively with acrylic paint. Acrylic gives you the ability to continue painting quickly once you have a good flow. And yet some of the portraits had to wait a long time before they could be finished. I just had to wait until I could finally finish it. The color blue, that of the sea, can be found in every possible variation in each of the images. As a contrast, colors that are very different from reality, such as pink, pink, neon, orange and purple, are a way for me to convey tension and therefore m

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:39.4 W x 47.2 H x 0.8 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

COLOR MUST BE TASTED, YOU MUST FEEL IT ON YOUR TONGUE. It is a sensual undertaking that begins with a picture. COLOR MUST HAVE SENSIBILITY LIKE BIT IN AN APPLE OR HANDSHAKE WITH A FRIEND: COLOR IS SOMETHING BODY: YOU HAVE TO TAKE INTO THE MATERIAL SOUL BY. PAINTING IS A CALLING RITUAL, MARRIAGE. ” EMIL SCHUMACHER, 1997 THIS QUOTE BY EMIL SCHUMACHER, WHICH I HAVE VERY HONORED AND HAS ALSO INSPIRED ME, MEETS THE ESSENCE, THE MEANING OF THE PAINTING AND COLOR THAT HAS DEVELOPED OVER THE YEARS. IN THE BEGINNING INEXPERIENCE, INTUITIVE: LATER KNOWLEDGE AND ALWAYS TARGETED APPLICABLE: THE LUCK OF THE AUTODIDAK! THE DEVELOPMENT OF YOUR OWN PROCESS, MATERIAL, THAT OF A MATERIAL CUSTOMER, EMOTIONAL AND SENSUAL EFFECT. LINE, COLOR AND MATERIAL ARE SEITHER THE THREE ELEMENTS IN MY PICTURES THAT ARE INEQUISIBLY CONNECTED. However, the color indicates the unfolding of the inner voice, the intuition. You can experience color. COLOR IS EMOTION, COLOR IS POWER! THE TASK IS NOT TO CREATE A SURFACE WITH COLOR, BUT TO PLAY WITH THE MATERIAL THROUGH MULTI-LAYER APPLICATION, ADD LINES TO OBSERVE THE DEVELOPMENT AND DEVELOPMENT. THIS DYNAMIC NOW CHANGES IN THE DESIGN PROCESS AND IT BEGINS AN INNER EXPLORATION. THE SHAPES THAT ALWAYS MAKE ACCIDENTAL DOES NOT BIND THE VIEWER IN THEIR ASSEMBLY SUBJECT MOTIVE, BUT ONLY SHOULD BE POINTS AND STRUCTURAL IN GENERATING YOUR OWN EMOTIONS. A KIND OF OWN WORLD OR OWN REALITY LIKE EVERYTHING ALIVE. FOR ME, THE TRANSPORT OF ENERGY IN THIS CREATION IS THE INTERACTION OF THE ARTIST WITH THE VIEWER (SEEING) WITHOUT A REAL ENCOUNTER BETWEEN US. THE SAME INSPIRATION PROCESS THE ARTIST HAD BEEN PRIOR TO THE CREATION OF HIS WORKS. AN INVISIBLE ABSTRACT EMOTIONAL TOUCH.

Artist Recognition

Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Artist featured in a collection

Artist featured by Saatchi Art in a collection

Thousands Of Five-Star Reviews

We deliver world-class customer service to all of our art buyers.

globe

Global Selection

Explore an unparalleled artwork selection by artists from around the world.

Satisfaction Guaranteed

Our 14-day satisfaction guarantee allows you to buy with confidence.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.

Need More Help?

Enjoy Complimentary Art Advisory Contact Customer Support