VIEW IN MY ROOM
THE SALTY AIR OF ROSCOFF Painting
France
Painting, Acrylic on Canvas
Size: 31.5 W x 39.4 H x 1.2 D in
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About The Artwork
This idea came to me because in times of containment and COVID, I am fortunate to be able to breathe beneficial, toned, iodized, refreshing air. I started by rejoicing to be able to breathe at full lung on the roscovite coast and naturally I decided not to fall into the figurative but to seek to give a sensation, no need for a large surface for this. I felt the need to use structure which reminded me of the mineral, and the oyster shells, and I put a protective mesh to begin with. This relief suited me perfectly to structure this painting. It is not a soothing air, but a structuring air. For the choice of colors, I could not think other than blue, white and gray, because it is a luminous air.
Details & Dimensions
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:31.5 W x 39.4 H x 1.2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:France.
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“My inner energy, it must come out, and live” Everything is met, some of them are fundamental: • Caravaggio for its dark light • Vermeer, for its delicacy and understanding of light, • Kandinsky, for his spontaneity, • Soulages, for the strength of his gesture, • Richter for colour overlays • And above all, Zao Wou-Ki, my true pictorial encounter, for the subtlety of his living spaces that he offers us, empty inhabited by the silence and wind that transcend everyday life. I paint on canvas or on wood. I first work the structure with mortar, marble powder, handmade paper made in South East Asia. I like that you can touch my paintings, feel the grain. I let come and I dialogue using acrylic, pigments, the oxidation process of copper, bronze or iron, in search of movement, light and breathing of the color. If I were to qualify my current painting, I would speak of suggestive abstraction.
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