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Winter at the Studio. A Half hexagon window in curved wall is showing the garden. In this corner it's found the drawing table, with some of the tools and materials for sketching and drawing.  My oil paintings begin here: this is the "kitchen" for preparatory strokes after an image, an idea. Is the real alchemyst laboratory where intuitions became with shape, colour, volume and contents. But as a figurative painter, I just practice also drawing from observation, the fine tunning between the hand & the eye, trough  the brain. Everyday objects, an interesting pictures, "Old Masters", or my cat "Lucía", if she is quietly sleeping. This time I looked through the window to the vine at winter, almost without leaves, in play of lines of different thickness. Suddenly a look, and the "stimulus" was there: to catch the vine as lines in the space, black on white. No colours at all> Drawing is the name of the game. So I take a  GVA RRO paper - 300 gm. watercolor paper with extreme texture- Indian Ink, nibs, and soft brushes for wash. During the process appeared the hand that painted, joining the composition. Looking after my model, with a Telemann viola concerto and a strong winter coffee, I flow with this feast of the senses, remembering Cezanne´s letter saying that painting is a game between the eye and the brain, and before him Leonardo´s sentence "la pittura é una cosa mentale..." (Painting is a mental issue). This work was a pleasent excursion between the mind and the senses.
Winter at the Studio. A Half hexagon window in curved wall is showing the garden. In this corner it's found the drawing table, with some of the tools and materials for sketching and drawing.  My oil paintings begin here: this is the "kitchen" for preparatory strokes after an image, an idea. Is the real alchemyst laboratory where intuitions became with shape, colour, volume and contents. But as a figurative painter, I just practice also drawing from observation, the fine tunning between the hand & the eye, trough  the brain. Everyday objects, an interesting pictures, "Old Masters", or my cat "Lucía", if she is quietly sleeping. This time I looked through the window to the vine at winter, almost without leaves, in play of lines of different thickness. Suddenly a look, and the "stimulus" was there: to catch the vine as lines in the space, black on white. No colours at all> Drawing is the name of the game. So I take a  GVA RRO paper - 300 gm. watercolor paper with extreme texture- Indian Ink, nibs, and soft brushes for wash. During the process appeared the hand that painted, joining the composition. Looking after my model, with a Telemann viola concerto and a strong winter coffee, I flow with this feast of the senses, remembering Cezanne´s letter saying that painting is a game between the eye and the brain, and before him Leonardo´s sentence "la pittura é una cosa mentale..." (Painting is a mental issue). This work was a pleasent excursion between the mind and the senses.
Winter at the Studio. A Half hexagon window in curved wall is showing the garden. In this corner it's found the drawing table, with some of the tools and materials for sketching and drawing.  My oil paintings begin here: this is the "kitchen" for preparatory strokes after an image, an idea. Is the real alchemyst laboratory where intuitions became with shape, colour, volume and contents. But as a figurative painter, I just practice also drawing from observation, the fine tunning between the hand & the eye, trough  the brain. Everyday objects, an interesting pictures, "Old Masters", or my cat "Lucía", if she is quietly sleeping. This time I looked through the window to the vine at winter, almost without leaves, in play of lines of different thickness. Suddenly a look, and the "stimulus" was there: to catch the vine as lines in the space, black on white. No colours at all> Drawing is the name of the game. So I take a  GVA RRO paper - 300 gm. watercolor paper with extreme texture- Indian Ink, nibs, and soft brushes for wash. During the process appeared the hand that painted, joining the composition. Looking after my model, with a Telemann viola concerto and a strong winter coffee, I flow with this feast of the senses, remembering Cezanne´s letter saying that painting is a game between the eye and the brain, and before him Leonardo´s sentence "la pittura é una cosa mentale..." (Painting is a mental issue). This work was a pleasent excursion between the mind and the senses.
Details of the work.
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VIEW IN MY ROOM

Through the window Painting

Ricardo Lapin

Israel

Painting, Ink on Paper

Size: 27.6 W x 19.7 H x 0 D in

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Originally listed for $750
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About The Artwork

Winter at the Studio. A Half hexagon window in curved wall is showing the garden. In this corner it's found the drawing table, with some of the tools and materials for sketching and drawing. My oil paintings begin here: this is the "kitchen" for preparatory strokes after an image, an idea. Is the real alchemyst laboratory where intuitions became with shape, colour, volume and contents. But as a figurative painter, I just practice also drawing from observation, the fine tunning between the hand & the eye, trough the brain. Everyday objects, an interesting pictures, "Old Masters", or my cat "Lucía", if she is quietly sleeping. This time I looked through the window to the vine at winter, almost without leaves, in play of lines of different thickness. Suddenly a look, and the "stimulus" was there: to catch the vine as lines in the space, black on white. No colours at all> Drawing is the name of the game. So I take a GVA RRO paper - 300 gm. watercolor paper with extreme texture- Indian Ink, nibs, and soft brushes for wash. During the process appeared the hand that painted, joining the composition. Looking after my model, with a Telemann viola concerto and a strong winter coffee, I flow with this feast of the senses, remembering Cezanne´s letter saying that painting is a game between the eye and the brain, and before him Leonardo´s sentence "la pittura é una cosa mentale..." (Painting is a mental issue). This work was a pleasent excursion between the mind and the senses.

Details & Dimensions

Painting:Ink on Paper

Original:One-of-a-kind Artwork

Size:27.6 W x 19.7 H x 0 D in

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Ricardo Lapin is a plastic artist based in Israel. He was born at Buenos Aires, Argentina, 1961. At age 16 he left to Israel at the times of Military "Junta". He began to study oil painting at age 10, and this discipline become a way of life: with more knowledge & experience, it continues till today. My Artist Statement: Art is a meeting between the individual and the universal, question marks about the human soul. I believe that the artist must reflect the "Zeitgeist" of the period he works. My own struggles and dilemmas, the culture and environment in which I live are present in every piece of work. Painting for me is my inmost protected and stable place, like a priceless shelter. Always present, since my early childhood, despite changing situations and realities. A territory that can be built and changed endlessly, a meeting place for memories, fears, desires. Within the creative process everything has existence, without a name or definition, there is place where everything is possible and can be repaired. My work is born mainly from images, the imagery nurtured by experiences, stemming from memories and dreams, mine and from my family. The artist work examines and describes the existence of man in this world, allows the brave inquiring of actual and local values . Alongside the aesthetic expression, my works seek to examine the limits of justice and freedom, the meaning of life and death in a period of spiritual loss, depression and continuing devaluation of human lives. Images come to me. As waking up from a dream, I catch them by sketching, drawing them before they escape; after that I articulate them and find new related images, in an associative process. I can perceive that many images have an aroma of oral stories, memories, family legends, secret traumas. Sometimes they arrive from mystery and remain there, even when already painted. The final work is sometimes a kind of unfinished sentence, to be filled in by the public, in many surprising ways, sometimes very far from my associations & ideas during the creative process. It's always magic and truthful for me to realize about the multiple ways of reading my work.

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