view additional image 1
View in a Room ArtworkView in a Room Background
This artwork reflects the way I experientially realize/observe at first a Greek statue of the classical period, (in this case a female torso), and then how I choose to reform it. 

Despite their damages over the centuries, most of these sculptures still maintain their liveliness, mainly due to the fact that they were increasingly expressive and
naturalistic in movement. This characteristic excites and inspires me to re-view them in a new artistic concept.

In order to reveal the values of human form by depicting it in stances of movement, I emphasized its curves by dividing the entire torso in vibrating stripes. The same approach is followed in the robed bottom. 
The coloured stripes emphasize the body's movement, while they make an indirect reference to classical statues that were usually brightly colored. 
A dramatic contrast to the vibrant body is enriched by the
scratches on the worn dark blue background.

The resulting image has a dynamic optical interest for the viewer, which I dare to characterize as op art, despite the fact that this work differs substantially from the representative ones of the homonymous movement.
After all, the artistic goal here is to make inspirational use of specific visual elements in order to create a contemporary figurative artwork, which - apart from main visual values and artistic virtue, will ensure personal style and originality.
detail
This artwork reflects the way I experientially realize/observe at first a Greek statue of the classical period, (in this case a female torso), and then how I choose to reform it. 

Despite their damages over the centuries, most of these sculptures still maintain their liveliness, mainly due to the fact that they were increasingly expressive and
naturalistic in movement. This characteristic excites and inspires me to re-view them in a new artistic concept.

In order to reveal the values of human form by depicting it in stances of movement, I emphasized its curves by dividing the entire torso in vibrating stripes. The same approach is followed in the robed bottom. 
The coloured stripes emphasize the body's movement, while they make an indirect reference to classical statues that were usually brightly colored. 
A dramatic contrast to the vibrant body is enriched by the
scratches on the worn dark blue background.

The resulting image has a dynamic optical interest for the viewer, which I dare to characterize as op art, despite the fact that this work differs substantially from the representative ones of the homonymous movement.
After all, the artistic goal here is to make inspirational use of specific visual elements in order to create a contemporary figurative artwork, which - apart from main visual values and artistic virtue, will ensure personal style and originality.
detail
144 Views
3

VIEW IN MY ROOM

Torso in free movement Painting

Nikolaos Smyrnios

Greece

Painting, Oil on Paper

Size: 27.2 W x 38.8 H x 0 D in

Ships in a Box

info-circle
SOLD
Originally listed for $800
Primary imagePrimary imagePrimary imagePrimary imagePrimary image Trustpilot Score
144 Views
3

Artist Recognition

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

This artwork reflects the way I experientially realize/observe at first a Greek statue of the classical period, (in this case a female torso), and then how I choose to reform it. Despite their damages over the centuries, most of these sculptures still maintain their liveliness, mainly due to the fact that they were increasingly expressive and naturalistic in movement. This characteristic excites and inspires me to re-view them in a new artistic concept. In order to reveal the values of human form by depicting it in stances of movement, I emphasized its curves by dividing the entire torso in vibrating stripes. The same approach is followed in the robed bottom. The coloured stripes emphasize the body's movement, while they make an indirect reference to classical statues that were usually brightly colored. A dramatic contrast to the vibrant body is enriched by the scratches on the worn dark blue background. The resulting image has a dynamic optical interest for the viewer, which I dare to characterize as op art, despite the fact that this work differs substantially from the representative ones of the homonymous movement. After all, the artistic goal here is to make inspirational use of specific visual elements in order to create a contemporary figurative artwork, which - apart from main visual values and artistic virtue, will ensure personal style and originality.

Details & Dimensions

Painting:Oil on Paper

Original:One-of-a-kind Artwork

Size:27.2 W x 38.8 H x 0 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

NIKOLAOS (NIKOS) SMYRNIOS was born in Edessa, Greece, to parents of Asia Minor descent. In his early 20s he immigrated to Stockholm, Sweden, where he studied in the Institute of Graphic Arts and the National College of Art & Design, a school which is considered as the heart of Scandinavian Design. Working in relevant professional and academic environments in both Sweden and Greece, he gained valuable experience and exceptional skills which have been reflected in his long lasting creative activity. The collection presented in the Saatchi online constitutes a small portion of Smyrnios' work and represents only few of the media he explored (painting, video, animation, graphic art) and the ideas he expressed through varied styles. Being actively engaged in the education of applied arts, as well as in graphic design, Smyrnios has managed to establish his artistic identity as a “child of his time”, interacting continuously with the modern spirit and New Media, adapting and discarding the elements of the Zeitgeist. ******************************************* STATEMENT OF THE ARTIST Aiming to invention and innovation, but remaining at the same time connected to the modernist tradition,  I base my art in the belief that painting should be a synthesis of visual forces, generated by distinct realities and their juxtaposition. Thereby, a broad experimentation in both subject and technique is of great importance, as well is to keep in touch with inner self. I have been influenced by Surrealism, Pop Art and Op Art, but mainly by the theories of Stylistic Pluralism that suggests the liberation of artists from being bound to one particular artistic identity, manifested in oneparticular style. Stylistic pluralism treats different artistic perspectives as constituents of the global art collective, each integrated into the global culture and feeding off each other’s strengths.         My long-term professional involvement as a graphic designer and illustrator as well as my early acquaintance with digital media, allow me to use a variety of techniques in order to create versatile and unique works that challenge viewers to engage in new and different visual logics. 

Artist Recognition

Artist featured in a collection

Artist featured by Saatchi Art in a collection

Thousands Of Five-Star Reviews

We deliver world-class customer service to all of our art buyers.

globe

Global Selection

Explore an unparalleled artwork selection by artists from around the world.

Satisfaction Guaranteed

Our 14-day satisfaction guarantee allows you to buy with confidence.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.

Need More Help?

Enjoy Complimentary Art Advisory Contact Customer Support