VIEW IN MY ROOM
Australia
Painting, Oil on Canvas
Size: 40 W x 30 H x 2 D in
Ships in a Box
Abstraction allows the viewer to interpret a work individually as an artist this explanation tells of my thoughts that immerged as I worked the process: The stretched canvas - was overlayered first of all with bitumen paint - Easter was beginning and darkness is symbolic of this season - so blackness was running over the sides, a beautiful brave first step. I thought of how dark it was, how tight the canvas was stretched all symbolic of the spiritual ideas of Easter, the Cross. Easter is also symbolic of life and light! Then there is the challenge in this dark piece to find the LIGHT.. I continued to work on this piece for three weeks -driving it forth with layers of oil paint with cold wax medium ... beautiful material that spreads the translucent layers. Finally when totally dry I overlayered the light colour finish in PINKs and Orangy Reds that relates to our common flesh and blood of our humanity. This artwork is beautifully framed in Tasmania Oak natural contemporary look ready to hang.
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:40 W x 30 H x 2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Australia.
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Australia
Biography I work as an artist with an interest in mixed media, contemporary, non objective works - that are usually very colourful. A non representational approach allows me and the viewer to swim along into the work to find our own emotional journey. Although that sounds elusive it is a journey essential in creativity -more so that one never tires of engaging the new discoveries in these many layered pieces. The finished work is then simply mounted on raised cradled panels that do not require formal framing. Background: Sheila was a daughter of parents who were working class - coal miner and weaver, she was born and raised in Burnley, Lancashire a town in the centre of the industrial revolution north of England. Art was introduced to her from a young age by her bachelor uncle in the form of drawing the figure. Creativity remained in her mind and she was dreamy about art in school, thinking about the possibilities of being able to learn more about being an artist. At the age of 17 she married and within four years of marriage migrated to Sydney, Australia, where she began her formal education in art. Her dream was slowly emerging in her new home country half a world away from home. She then ventured into art tutoring for Tafe to begin with, then later she became Gallery Director in Bridgewater, South Australia where she set forth to curate regular exhibition by notable artists. Art practice and studio work about her own ideas continued along side of her gallery work ever preparing her work for a continuing round of solo exhibitions which are listed in her curriculum vitea as follows.
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