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Traslazione Painting

Gianluca Coren

Italy

Painting, Engraving on Aluminium

Size: 55.1 W x 27.5 H x 2.3 D in

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$2,070

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About The Artwork

Translation The painting represents the face of an angel looking down, seeking that which has been. He sees it, through a breach represented by a painting within the painting in which you can catch the glimpse of a face, of which you can only see the nose and the mouth, symbol of what, through the breath, determines the presence of what is alive. This face’s expression is peaceful and wants to almost create a bridge between itself and that which is not yet. However, it intends to “translate” in a mutation of the matter towards a yearning that pushes to the eternal sublimation of the matter/spirit. If one is represented on a metal slab by a monochromatic engraving, the other appears on canvas with lively chromatism to convey the contrast of the worlds of being, on the plane of figurative language. Il quadro rappresenta il volto di un angelo che guarda verso il basso, a cercare ciò che è stato. Lo vede, attraverso un varco rappresentato da un quadro nel quadro in cui si scorge il dettaglio di un volto di cui si vedono solo il naso e la bocca, simbolo di ciò che attraverso il respiro determina la presenza di ciò che è vivo. L’espressione che si scorge in questo volto è serena e vuole quasi creare un ponte tra sé e ciò che ancora non c’è, ma intende “traslare” in una mutazione materica verso un’anelito che spinge all’eterna sublimazione materica/spirituale. Se l’uno è rappresentato su lastra metallica tramite incisione monocromatica, l’altro appare su tela con vivi cromatismi per rendere sul piano del linguaggio figurativo il contrasto tra due mondi dell’essere.

Details & Dimensions

Multi-paneled Painting:Engraving on Aluminium

Original:One-of-a-kind Artwork

Size:55.1 W x 27.5 H x 2.3 D in

Number of Panels:2

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

nato a Gorizia il 23/09/1969. The Minotaur wasn't that evil, in the end. The Ariadne's spool of thread from which my work unravels starts from the surrealistic and symbolist fascination with Bocklin and Dalì. While unwinding the thread Mondrian's abstract experience and Burri's are also picked up while the geniuses Leonardo and Michelangelo remain the center of the labyrinth.

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