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"Unshackle" - Contemporary Minimalist Abstract Painting Painting

Guy Lyman

United States

Painting, Acrylic on Canvas

Size: 36 W x 36 H x 1.5 D in

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$2,386

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About The Artwork

Artist's Statement - I had been making some very colorful paintings based on rings or circles that had been very well received, but my forms and brushstrokes began to tighten and feel a little restrained. So I decided to change both the forms and the strokes, and lose a lot of the color, and do something different for awhile. I stayed with simple forms as in general I am much more interested in surface and color anyway. I had been looking at the work of Philip Guston and a Gary Komarin, and their looseness and unselfconsciousness, and used them as a touchpoint to launch from. Also borrowed the concept of not painting out to the edges from Guston (Joan Mitchell and some others did this too), which renders the area of paint a sort of object separate from the canvas surface. I used house paint in addition to the usual artists acrylics in order to achieve the flatness I was looking for. Sometime you just can't beat cheap paint. I use professional, sturdy 1.5" stretchers that have a nice deep profile and presence on the wall.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:36 W x 36 H x 1.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I have been selling my art worldwide since around 1990. For eight years I had a gallery on Magazine Street in New Orleans; I sold it in 2019 and moved everything online - which is where things seemed to be headed. My paintings are in fine collections from Beirut, to London, to mansions in Aspen and the California wine country. But it's important to me that the prices not rise to where they are unaffordable for collectors who are not wealthy; so I try to keep them reasonable. My influences include Cy Twombly, Robert Rauschenberg, Julian Schnabel and Sean Scully. I have never been interested in the forms I choose for my paintings. I make quick decisions about them. What matters to me is surface quality, color, line quality, negative space. Sometimes the negative space is more important than the forms that push forward.

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