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About the Appropriation of Muses. Circle, symbol of proces, symbol of progress with all its ups and downs, very natural, saying everything. Globe, global, ours, everyones. It looks like a destroyed wall with many layers of plaster. For me walls, are like boards of rememberance, they contain everything from informations, street art, posters, dirt, or just some scratches from using. They are creted and destroyed by nature, time or us (humans) and are like proof of our times, witnesses of time. Made of many layers of plaster and concrete, paint and photographs on canvas. Made by my unigue technique of layering plaster, concrete, choosing materials and destroying. It is made on canvas and stretched to frame. It has its own weight, but not so much. They can be confortably hanged to a wall. I call them destructive expressionism paitnings.
About the Appropriation of Muses. Circle, symbol of proces, symbol of progress with all its ups and downs, very natural, saying everything. Globe, global, ours, everyones. It looks like a destroyed wall with many layers of plaster. For me walls, are like boards of rememberance, they contain everything from informations, street art, posters, dirt, or just some scratches from using. They are creted and destroyed by nature, time or us (humans) and are like proof of our times, witnesses of time. Made of many layers of plaster and concrete, paint and photographs on canvas. Made by my unigue technique of layering plaster, concrete, choosing materials and destroying. It is made on canvas and stretched to frame. It has its own weight, but not so much. They can be confortably hanged to a wall. I call them destructive expressionism paitnings.
About the Appropriation of Muses. Circle, symbol of proces, symbol of progress with all its ups and downs, very natural, saying everything. Globe, global, ours, everyones. It looks like a destroyed wall with many layers of plaster. For me walls, are like boards of rememberance, they contain everything from informations, street art, posters, dirt, or just some scratches from using. They are creted and destroyed by nature, time or us (humans) and are like proof of our times, witnesses of time. Made of many layers of plaster and concrete, paint and photographs on canvas. Made by my unigue technique of layering plaster, concrete, choosing materials and destroying. It is made on canvas and stretched to frame. It has its own weight, but not so much. They can be confortably hanged to a wall. I call them destructive expressionism paitnings.
About the Appropriation of Muses. Circle, symbol of proces, symbol of progress with all its ups and downs, very natural, saying everything. Globe, global, ours, everyones. It looks like a destroyed wall with many layers of plaster. For me walls, are like boards of rememberance, they contain everything from informations, street art, posters, dirt, or just some scratches from using. They are creted and destroyed by nature, time or us (humans) and are like proof of our times, witnesses of time. Made of many layers of plaster and concrete, paint and photographs on canvas. Made by my unigue technique of layering plaster, concrete, choosing materials and destroying. It is made on canvas and stretched to frame. It has its own weight, but not so much. They can be confortably hanged to a wall. I call them destructive expressionism paitnings.
About the Appropriation of Muses. Circle, symbol of proces, symbol of progress with all its ups and downs, very natural, saying everything. Globe, global, ours, everyones. It looks like a destroyed wall with many layers of plaster. For me walls, are like boards of rememberance, they contain everything from informations, street art, posters, dirt, or just some scratches from using. They are creted and destroyed by nature, time or us (humans) and are like proof of our times, witnesses of time. Made of many layers of plaster and concrete, paint and photographs on canvas. Made by my unigue technique of layering plaster, concrete, choosing materials and destroying. It is made on canvas and stretched to frame. It has its own weight, but not so much. They can be confortably hanged to a wall. I call them destructive expressionism paitnings.
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VIEW IN MY ROOM

Wave no. 10 - Invocation (plaster/mortar painting) Painting

Tomas Bokor

Slovakia

Painting, Plaster on Canvas

Size: 55.1 W x 59.1 H x 1.6 D in

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173 Views
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About The Artwork

About the Appropriation of Muses. Circle, symbol of proces, symbol of progress with all its ups and downs, very natural, saying everything. Globe, global, ours, everyones. It looks like a destroyed wall with many layers of plaster. For me walls, are like boards of rememberance, they contain everything from informations, street art, posters, dirt, or just some scratches from using. They are creted and destroyed by nature, time or us (humans) and are like proof of our times, witnesses of time. Made of many layers of plaster and concrete, paint and photographs on canvas. Made by my unigue technique of layering plaster, concrete, choosing materials and destroying. It is made on canvas and stretched to frame. It has its own weight, but not so much. They can be confortably hanged to a wall. I call them destructive expressionism paitnings.

Details & Dimensions

Painting:Plaster on Canvas

Original:One-of-a-kind Artwork

Size:55.1 W x 59.1 H x 1.6 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My name is Tomáš Bokor and I ́m a photographer living in Bratislava, Slovakia, where I completed my painting studies at the Academy of Fine Arts,. In my artwork, I deal with overlaps between history and the present, construction and deconstruction, urbanism, human values and life.

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