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Anomaly vi Photograph - Limited Edition of 12

Desiree Patterson

Canada

Photography, Color on Paper

Size: 30 W x 40 H x 2 D in

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$5,450

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Artist Recognition

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Featured in the Catalog

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Showed at the The Other Art Fair

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Artist featured in a collection

About The Artwork

Desirée traveled to Nepal in 2018, where she completed a twelve-day trek to Mount Everest basecamp, to document the renowned glacial landscapes. The series Anomaly, is a contemporary fusion of the world’s highest glaciers, overlaid with colour variations that communicate the fragility of this iconic, sacred region. Artwork Description: This artwork is printed onto Fuji metallic paper, dry mounted to aluminum and finished with a UV lustre lamination. The pink hues shimmer with light and the large-scale compliments this majestic, Himalayan mountain. Mt Ama Dablam is regarded as one of the most beautiful mountains in the world, and this artwork highlights the unique shape and aesthetic features of this grand monolith. The details in this artwork are striking - this due to the high resolution digital capture through a Hasselblad medium format camera. Ama Dablam means "Mother's necklace"; the long ridges on each side like the arms of a mother (ama) protecting her child, and the hanging glacier thought of as the dablam, the traditional double-pendant containing pictures of the gods, worn by Sherpa women. For several days, Ama Dablam dominates the eastern sky for anyone trekking to Mount Everest Base Camp. For its soaring ridges and steep faces Ama Dablam is sometimes referred as the "Matterhorn" of the Himalayas. The mountain has an elevation of 6,812m. *This artwork is available in 2 additional sizes, please contact a Saatchi representative for further options.

Details & Dimensions

Photography:Color on Paper

Artist Produced Limited Edition of:12

Size:30 W x 40 H x 2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Desirée Patterson is a Canadian photographic artist currently living on the unceded territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish) and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) nations, in Vancouver, BC. Her career began during a journey throughout nearly forty countries across four continents. As she documented her extensive travels, she repeatedly observed exhausted environments and impoverished situations. These experiences impacted Patterson deeply, they served as a catalyst inspiring the themes and direction of her art practice. Patterson’s artistic process consists of digital image capture and meticulous post manipulation of form, shape and orientation, turning disparate layers into unified compositions. From creating industrial landscapes that seamlessly interweave with the human form (Éveil, 2018) and composing mountainous landscapes that embody the idea of melting (Point de Fusion, 2018), to merging endangered glaciers with climate temperature data (Anomaly, 2020) and generating macrocosmic planets that depict the precarious impact of humans on nature (Anthropocene, 2019), her work captivates and challenges viewers. Patterson is both an artist and activist, ever aware of the harsh realities our earth is undergoing. It is within this ongoing state of dire predictions, global disasters, and bleak planetary projections that she seeks out the beauty and grace of the world in which we live in, waking us from a stilted slumber, with ambitions to propel us into collective action. Key thematics in her work include sustainability, environmental issues, social justice and humanity’s dystopic relationship with nature. Patterson has completed public art projects for the City of Richmond, BC Children’s Hospital and Capture Photography Festival among others. Her work is found within multiple public and private collections in Canada, the United States, Singapore, Europe and Hong Kong. In 2018 she trained with former Vice President Al Gore in Los Angeles, in the role of civilian leadership as part of the Climate Reality Project and in 2020, she was a selected mentee in the ICASC Futures/forward program, via SFU in partnership with Judith Marcuse Projects. Through visual art, the organization of public events and by conducting community engaged projects, Patterson feels that she can transcend societal barriers through stimulation of curiosity and imagination; creating unique opportunities to empower individuals and incite change.

Artist Recognition

Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Toronto, Los Angeles, Brooklyn

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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