VIEW IN MY ROOM
Italy
Photography, Digital on Paper
Size: 23.4 W x 16.5 H x 0.4 D in
Ships in a Box
Shipping included
Il cambiamento epocale a cui stiamo assistendo in questi decenni stimola riflessioni sull'importanza e il ruolo della persona nel mondo contemporaneo. Se da un lato la tecnologia e il digitale per alcuni sono un'opportunità, per molti altri rappresentano un problema.Gli sforzi prodotti per cercare di distruggere le barriere, per cercare di avvicinare le persone, per farle comunicare più in fretta, per migliorarne la vita, sembrano invece avere effetto contrario. L'idea di futuro, che in tempi non molto lontani, era accompagnata da un senso di ottimismo e di speranza, oggi è vista come preoccupazione e in molti casi angoscia.L'animo umano in tutto questo, invece che elevarsi e ambire a mete più alte, risulta disorientato e perde importanza quasi consistenza, mi sembra quasi di vedere intorno a me i miei simili quasi trasparenti vagare senza meta in cerca di certezze in una specie di teatro della solitudine. L'immagine è stampata su carta Hahnemuehle Photo Rag 308g d'archivio. Formato 40cm x60 cm compreso un bordo di 2cm Edizione limitata Viene fornita con Il certificato di autenticità all’interno della Confezione numerato e firmato.
Photography:Digital on Paper
Artist Produced Limited Edition of:10
Size:23.4 W x 16.5 H x 0.4 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Italy.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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I was born in Turin in 1960, where I live and work. I am a professional photographer. My work as a photographer first started in the dark room. My production, developed in black and white, focuses on human ethology by investigating the mutations and behavior of man in contemporary society; to do this, I put in place an estrangement in the creations made, sometimes generated in post-production, through the protagonists I try to carry out research on the epochal change that we are witnessing in recent decades. The subjects of the Metropolitan Ghosts series are configured as ghosts, shadows barely mentioned existing but not entirely present, in the manner of today's man taken by the many distractions and victims of the sick relationship with the digital. In fact, I try to reflect on the great problem for which humanity is now absorbed by technology where it was previously a useful tool for optimizing communication between human beings and for overcoming barriers. My works derive from profound reflections imprinted not only on the human being, but also on the surrounding forms such as architecture or objects, as in the works Form and Matter and The Signs of Time. influenced me in my research: Alexandr Rodchenko who strikes me for the different points of view of his images, creating new, disconcerting, high-impact sensations with visuals that deceive the viewer, freeing photography from many of its conventions. Edvard Munch for his search for him in expressing the subtlest visions of the soul. Edward Hopper for the strong sense of restlessness in his painting. He said “I don't paint what I see, but what I feel”. Technically I feel close to the way of thinking of the sculptor, who, when he is in front of the block of material he has to model, knows precisely what will come out. For me as a photographer, the block of material is represented by the photo shoot, post production is the tool that allows me to get to the soul and essence of what I want to represent.
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