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Making of `Giacometti in the Cinema´. Budapest, 2005.
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Giacometti in the Cinema ( from series: Invisible Sights of Budapest) Photograph - Limited Edition of 1

Boris Andreas Duhm

Germany

Photography, C-type on Aluminium

Size: 78 W x 31.2 H x 1.5 D in

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$3,300

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About The Artwork

`Giacometti in the Cinema´ is a diptych of two analog, hand made color gelatin prints on Fuji photo paper ( RA-4 prints from 6x7 cm negative). The images show Agnes behind a plastic foil in a forest out of Budapest. The light source are car reflectors. The title refers to the artist Alberto Giacometti, who got inspired to the thin shapes of his sculptures when watching other visitors in the dark showroom of a cinema while a film was screened. The two works form a diptych. Each photograph is mounted on Alu Dibond and seperately framed with raw iron frame, protected by acrylic glass. Please see description of the concept and other images of the series `Invisible Sights of Budapest´ in my collection of the same name. Limited edition: each edit. #1 / 3 + 1 AP The size of each photograph is 31.2 x 39 inches.

Details & Dimensions

Multi-paneled Photography:C-type on Aluminium

Artist Produced Limited Edition of:1

Size:78 W x 31.2 H x 1.5 D in

Number of Panels:2

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Boris Duhm is born 1971 in Aachen, Germany. He lives and works in Germany Artist Statement Boris Duhms works deal with a visualisation of the mental state of our societies, the contemporary conditio humana. When a situation becomes an image it can become symbolic and gain a political and social dimension. Already in 2007 the philosopher Jean Baudrillard pointed out a change of human perception: reality is percepted as something irrational, vice versa fiction is taken as fact. Boris Duhm ́s analogue photo-stagings, sculptures, paintings, drawings, performances and collages are a journey into this interspace of reality and perception. The figures, which are represented on images or three-dimensional in the exhibition- or in public-space, reveal their nature primal to a closer look. They seem to merge into the environment they move in. Often the fictional places on Boris´ photographs are located in nature, which change into stages on the purely analogue photographs by the existentialistic artist. Here the human drama is performed. Duhm succeeds in transforming the real place into a collective place of memory, where everybody can find oneself in pictures of memory of his own life. The disguised figures populating these places are not themselves but have fulfilled a metamorphosis. They reside in an as-well-as, in a condition of refraction. In "Self as Fern" for example, the artist goes far beyond masquerade: in a mimetic gesture the artist really transforms into a primeval plant. Especially in his latest works, the radicalness of Boris Duhm ́s artist position shows a clear political and social concern and tries to get to the bottom of the authenticity of photographic imprints themselves. To see more of Boris Duhms work, please visit his website www.borisduhm.com. Boris´ artworks are represented internationally by galleries, collections, museums and privat collectors. Boris Duhm has been working as teacher for fine art and photography at various universities and art schools in Europe and Asia. www.borisduhm.com www.intagram.com/borisduhm/ Search "Boris Duhm" on google !

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