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Lunch with a wood grouses head - Limited Edition of 10 Photograph

Nata Chebotareva

Russia

Photography, Color on Paper

Size: 15 W x 15 H x 0 D in

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About The Artwork

The photograph is from the project "The Hunting Season". That is 2/10 copy printed on epson professional photopaper. Sometimes I think to myself that even if it exists - that dark side of the alternative reality - it isn't monsters or beasts that inhabit it, but very regular people. Yes, there can't be anything darker than the man himself. People before us were not afraid of the dark unknown. They stuck their noses, hands and teeth in it despite all better judgement. The hands were usually armed, of course. That's how the new worlds got discovered - with armed fearless hands. Today the world is known, but the hands are still there, itchy and restless. Once ferocious, coarse and sturdy, used to tearing flash in copper-clad crusades, they are no longer more than a petty caricature on their earlier selves. In today's little, mendacious world it is with little, mendacious hands that we are seeking to awaken the former mighty splendor. A lean wild animal will never be seen as a pile of flesh. Perhaps that's what we look to them though - a formless, faceless heap of meat, triumphant conquerors, voracious and insatiable. If there is a dark side of the alternative reality, in it, it is no longer the pray, but the Hunter who is being hunted. And the Hunting Season is on, unendingly.

Details & Dimensions

Photography:Color on Paper

Artist Produced Limited Edition of:10

Size:15 W x 15 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Natalia Chebotareva was born in 1972 in Leningrad. In 1995, she graduated as an economist from the St. Petersburg State University. She didn’t start with photography until much later, in 2009. Now Natalya manages the photo gallery ZERNO in St. Petersburg. «In my work I prefer the analogue and black and white photography. If you ask me why, it’s simple – I enjoy the birth of a photograph. I enjoy the smell of film, the touch of photo paper, the light of the red lantern. Most of all I enjoy the magic that comes with developing film and printing photographs in my darkroom. The moment of co-creation is so physical; that sensual magic is long lost in the world of digital camera.

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